Articles by "Ozuna"
Showing posts with label Ozuna. Show all posts
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If you put a cut on it to see the world (uoh-oh-oh)
No la celo ni la amo, me llama y me bellaquea (come on; here we go)
El culo flow Penelope (ja)
Me la llevé because you have the G-Wagon, chocó a las tre' (uoh-oh; ah; uoh- oh
) , but I only enjoy it in innerwear (this is the real remix, oh-oh)
If you ever win, this time is a goal (geniuz, Maluma, ba-ba-baby, oh-oh)

Quiere sweet y yo le doy mi lollipop-pop-pop-pop (ja, oh, my God)
Yes, me come back crazy your chupop-pop-pop-pop (ja, eh-eh)
Se moja allá abajo y suena (mamá )
Pa' tu novio a pistol that makes plop-plop-plop-plop
I wanted sweet y yo le di mi lollipop (come on, oh, my God, oh-oh)
Pa' that she le dé chupop-pop-pop (eh -eh)
Se mojó, eso allá abajo le suena (what the fuck?)
And to your novio a pistol that makes plop-plop-plop-plop (it's The Real Rondon, ra-ta-ta-ta, oh)

Che-che-che, yo se lo metí y piché (yo se lo metí y piché)
She said so much animal that it has the embiché
Don't want the milk and yo the mouth fills it (eh)
She wants an octopus and yo how siete le eché (siete le eché)

That's what I met and piché (-ché, -ché, -ché, -ché)
I said so much animal, my herma, that hasta la embiché (-ché, -ché, -ché, -ché; hasta la embiché)
No I wanted milk and my mouth filled me (-ché, -ché, -ché, -ché)
She wanted an octopus and I loved how I felt her eché (baby)

How she dominates her puts me badly (puts badly)
Concentrates as if she were drinking Adderall (Adderall)
Inside demonia with Cenicienta's face (Cenicienta)
The fire emoji, that sticker on the clothes

I like it because I took it to them (to the room)
And it's bigger than me, it gives me a lollipop with a mint (with a mint; ¡ah !
) studio when I grab it, get it from me (nah)

Y le da chupop
Y ask me to cry' that he goes with the popo
Then it goes away like if I'm leaving a choc (fuera un choc)
From all 'las babies' she goes after KAROL in my top (baby)

You climb on top of me and empieza me moving (moving)
I close my eyes and I don't want to see you
You are a mathematics without understanding (understanding)
That I go up to the other level (to the other level)
Dale, come here, that I want to see you (uoh, that's how it is)
Bridge in four, ma, that I'm going to tear you up (eh)
I'm hungry for you, I want to eat (I want to eat)
I have mojaíto' los panty Chanel (eh, oh)

Quiere sweet y yo le doy mi lollipop-pop-pop-pop
Yes, me go crazy with your chupop-pop-pop-pop
Se moja allá abajo y suena (¡uh-uh!)
Pa' tu novio a pistol that makes plop- plop-plop-plop

I wanted sweetness and yo le di mi lollipop (oh, my God)
Pa' que ella le dé chupop-pop-pop-pop (eh-eh)
Se mojó, eso allá abajo le suena (what the fuck?)
And to your new a pistol that goes plop-plop-plop-plop (Maluma, baby; ah-ah)

Che-che-che (here we go), yo se lo metí y piché
Le di so much chimbo that it hasta la enchimbé
Don't want the milk and yo the mouth fills
it She wants an octopus and yo how to siege the eché

Yo se lo metí y piché (-ché, -ché, -ché, -ché)
He said so much chimbo that he had the enchimbé (ey, -ché, -ché, -ché)
I didn't want the milk and yo the mouth was enleché ( -ché, -ché)
She wanted an octopus and yo like siete le eché (yeah)

And on your tit' it enchants
That the viera is so holy
It takes me to my throat
and it gives me love

Put me against the wall, my skirt gets up (ok)
Put me in a sata face (bitch)
You're an abuser
A bitch that makes me fall in love with me

I told you
goodbye, thank you very much, because you don't have it (heart)
Chúpamela como si esto fuera un Bon Bon Bum
Si explota en tu boca, explota como un Bubbaloo (what the fuck?)

The Dominican llegó with the puertorrican
They envidiosa' toa' bite' the critic (that's how it is)
She doesn't take off puya' and comoquiera toa' se pican (pa' que sepa)
Want to apply it, but don't apply it (come on)

Le doy pom pa'l cielo
Le doy pa' las nail', eyelash' and the hair (hi, sweetie)
Yo le di una G-Wagon, she knows that she wants
Since the operation, the hijueputa is considered a model (here we go)

A sexual maniac who likes to make him beautiful (oh, my God)
That when empieza doesn't want to stop (what the fuck?)
When you move like this, you know that you're going to stop me
and you say you got wet accidentally

Minimum knowledge of weekly octopuses (that's how it is)
When I get to you four times, mom, it's hard for me to give
Empercocia'o I'm going to form (pa' que sepa)
My challenge and you're personal (ra-ta-ta- OK)

Maluma, ba-ba-ba-ba-ba-ba-ba-ba-ba-baby, jaja
This is the real remix
Ozuna
Dímelo, Darell
Maluma

Ozuna
This is the fuckin' remix
Darell
La Verdadera Vuelta, ¿oíste, baby?
Lil Geniuz
Geniuz, stop that shit

Ra-ta-ta-ta
Colombia and PR
Duars Entertainment
¡Rra!
Latino Gang Music

That's how
That combination is the one million combination in the world
Motherfucker
¡Ra-ta-ta-ta!

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Ozuna, the global reggaeton superstar, returns with "Carrusel," a song that blends catchy melodies and introspective lyrics, creating a bittersweet anthem for the heartbroken. Released as a visualizer, the song takes listeners on a melancholic journey through the aftermath of a fading love, weaving in Ozuna's signature smooth vocals with pulsating reggaeton beats.

The song opens with a sense of despair, Ozuna lamenting, "Ahora, ¿cómo diablo te olvido?" (Now, how the hell do I forget you?). This sets the stage for a melancholic exploration of lost love, where memories become inescapable reminders of what once was. The lyrics paint a vivid picture of a relationship on the brink, with lines like "Yo que pensaba que tú y yo éramos inseparables" (I thought you and I were inseparable) highlighting the depth of the emotional investment.

But "Carrusel" is not just about wallowing in sadness. It's also about defiance and self-preservation. The chorus, "Baby, es muy notable, quiero aprovecharla antes de que se me haga tarde" (Baby, it's very noticeable, I want to take advantage of it before it's too late), showcases Ozuna's determination to savor the last moments of the relationship, leaving a lasting impression on his former lover. This bittersweet sentiment is further emphasized by the visualizer, which depicts a couple dancing intimately under a starry sky, their connection undeniable despite the impending separation.

Musically, "Carrusel" is a fusion of classic reggaeton elements and modern production sensibilities. The dembow rhythm provides the foundation, driving the song forward with an infectious energy. Yet, the inclusion of subtle piano chords and melancholic synth pads adds a layer of depth and emotion, mirroring the complexity of the lyrics. Ozuna's vocals, as always, are smooth and captivating, effortlessly riding the instrumental tapestry he himself co-produced.

Despite its melancholic core, "Carrusel" ultimately offers a message of hope. The bridge, with its powerful declaration, "Sé que tú vas a tratar de olvidarme, pero va a ser difícil, bebé" (I know you'll try to forget me, but it's going to be difficult, baby), hints at the enduring impact of the relationship. The song doesn't promise a happy ending, but it acknowledges the emotional weight of love and loss, offering solace to those navigating the turbulent waters of heartbreak.

In conclusion, "Carrusel" is more than just a reggaeton song; it's a relatable and emotionally resonant exploration of a universal experience. Ozuna's masterful blend of catchy melodies, heartfelt lyrics, and introspective songwriting elevates the song beyond a typical breakup anthem, making it a powerful addition to his already impressive repertoire. Whether you're going through your own heartbreak or simply appreciate well-crafted music, "Carrusel" is a song that will stay with you long after the last beat fades.

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[Letra de "BAD BOY" ft. Anuel AA & Ozuna]

[Intro: Ozuna & Anuel AA]
(Woh-oh, oh)
Oh-oh-oh-oh (Baby)
Bebecita (Ozuna)
Dei V

[Pre-Coro: Dei V, Ozuna, Ozuna & Anuel AA, Anuel AA]
Eh, dime, nena, no sé si has cacha'o mi pichaera
Yo subí un storie, ma, pa' que tú lo viera' (Tú lo viera')
Y le cayera' (Woh)
Vamo' a hacerlo la noche entera (Oh)
Baby, ¿dónde está'? (Brr), que la noche está pa' (Está pa')
Que nos chinguemo', así que dale pa' acá
Hoy al jevito se le escapa
Tírale a tu amiga, que ella te tapa (Uah)

[Coro: Dei V, Anuel AA & Ozuna]
Aprovéchame por si mañana ya no estoy (No estoy)
Sabe' que soy un bad boy (Oh, oh, oh)
¿Pa' qué esperar a despué'? Si yo te puedo hacer venir hoy (-nir hoy)
¿Tú le llega' o yo voy? (Uah, uah)
Así que, mami, aprovéchame, por si mañana ya no estoy (No estoy)
Sabe' que soy un bad boy (Oh, oh; bad boy)
¿Pa' qué esperar a despué'? Si yo te puedo hacer venir hoy (-nir hoy)
¿Tú le llega' o yo voy? (Ozuna)

[Verso 1: Ozuna & Anuel AA]
Y tú le llega' to'a vestía' de Bottega, escuchando Bad con Venega' y desde que habló e' pa' mojarse (Pa' mojarse)
Le quité el código pa' los tacos dejarse (Woh-oh-oh-oh)
De Rionegro, Medellín, gritando "parce" (Ja)
Como en GTA, yo vo'a robarte, ma (A robarte)
Ella la quiere en la tota pa' firmársela (Pa' firmársela)
To'as se la quieren quitar, pero hay que dársela
Y como la tiene ricota, hay que estrujársela (Woh-oh-oh)
La bebé me dijo "no", no quiere que pare (Que pare)
El bellaqueo e' mucho, la pegué a los cristale' (Woh-oh-oh; eh)
Esos panties Balenciaga los rompí, ¿cuánto salen?
Dale mañana pa'l mall, frontea, que eso te sale, bae (Real Hasta La Muerte, ¿oíste bebé?; La doble A)

[Verso 2: Anuel AA]
Sé que tiene' una imagen de que yo soy solo tuyo (Tuyo)
Tú ere' ese culo que a mí me llena de orgullo (Orgullo)
La nota me da contigo siempre que fumo (Fumo, yeah)
Y yo que ando to' el día con la mente llena 'e humo, bebé
Vuelve otra ve' (Ve')
Recuerda toda' las noches que hicimos love and sex (Sex)
Bellaqueando yo encima 'e ti, sentiste la 23 (Brr)
Tu ex si me fantasmea le vo'a volar lo' dreads, mi full patea como Mbappé (Brr)
Acabó de hacerse el culo (Culo), ella es mi Anitta y yo su favela (-vela)
Tú me tiene' bellaco (Bellaco), con ese acento de novela (De novela)
Oh-oh, oh-oh

[Coro: Dei V & Ozuna]
Aprovéchame por si mañana ya no estoy
Sabe' que soy un bad boy
¿Pa' qué esperar a despué'? Si yo te puedo hacer venir hoy
¿Tú le llega' o yo voy?
Así que, mami, aprovéchame, por si mañana ya no estoy
Sabe' que soy un bad boy
¿Pa' qué esperar a despué'? Si yo te puedo hacer venir hoy
¿Tú le llega' o yo voy? (Oh, oh)

[Verso 3: Dei V & Anuel AA]
Es tu culpa que a las otra' ignoro
A ti sí que no te doy de codo
Si no es contigo, pue', mejor me quedo solo
Yo vuelvo a nacer, mami, vuelvo y te escojo
Porque por la forma en que me lo hace' va' a hacer que me case
Mami, tú me suma', no hace' que me atrase
La bebé no quiere que a mí nada me pase
Pero me dice que aunque muera no va a haber otro que me reemplace, eh
Yo su juego jugué hasta que me la gané, eh-eh-eh
Y la hice mi bebé cuando me la chingué, eh-eh-eh
Y yo no sé cómo nos gustamo' tanto, pero nada somo'
Mientra' los tiene a todos, solo a mí me hace coro
Baby, tú pa' mí vale' oro y yo te valoro (Uah)

[Coro: Anuel AA & Dei V, Ambos]
Aprovéchame por si mañana ya no estoy (No estoy)
Sabe' que soy un bad boy (Bad boy)
¿Pa' qué esperar a despué'? Si yo te puedo hacer venir hoy (Venir hoy)
¿Tú le llega' o yo voy?
Así que, mami, aprovéchame, por si mañana ya no estoy
Sabe' que soy un bad boy (Bad boy)
¿Pa' qué esperar a despué'? Si yo te puedo hacer venir hoy (Venir hoy)
¿Tú le llega' o yo voy? (Uah)

[Outro: Dei V, Anuel AA & Ozuna]
Dei V
Con Lo' Marciano' (Marciano')
Mera, dime, Gaby Music, dime, Chris Jedi
Se cayeron con esta, ello' saben que no fallamo' cuando mandamo' (Brr)
'Tamo' activo, nos fuimo' mundial (Woh-oh-oh)
Esto e' pa' las parcerita', pa' las guachita'
Y pa' to'as esas babie' lindas del mundo (Real Hasta La Muerte, ¿oíste bebé?)
De parte del Flavor y La Familia
Prra

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Released in 2023, "Bandida Fina" by YOVNGCHIMI and Ozuna isn't just a song; it's a steamy sonic fiesta, a Latin heatwave of seduction and swagger that has set dance floors ablaze across the globe. The track blends YOVNGCHIMI's sultry vocals with Ozuna's reggaeton prowess, creating an infectious mix of rhythmic beats, captivating melodies, and lyrics dripping with playful confidence.

A Tale of Two Voices:

The song opens with YOVNGCHIMI setting the stage. Her smooth voice paints a picture of a captivating and mysterious "Bandida Fina" – a beautiful outlaw who steals hearts as effortlessly as she steals glances. With lines like "No sé cómo lo hace pero sabe que yo estoy para ella" (I don't know how she does it, but she knows I'm here for her), she establishes a playful push-and-pull dynamic between herself and this alluring figure.

Ozuna then enters the scene, amping up the energy with his signature reggaeton flow. He throws out boasts about his designer clothes and luxurious lifestyle, confidently declaring himself the perfect match for this "Bandida Fina." The contrasting lyrical styles of YOVNGCHIMI and Ozuna create a captivating tension, highlighting the dance between attraction and independence that lies at the heart of the song.

Beyond the Lyrics:

But "Bandida Fina" is more than just words. The infectious beat, a blend of traditional reggaeton elements and modern electronic touches, instantly gets your heart racing and feet tapping. The music video, shot in vibrant locations like Puerto Rico and the Dominican Republic, adds another layer of visual energy, featuring YOVNGCHIMI and Ozuna surrounded by beautiful women and luxurious settings.

Themes of Empowerment and Seduction:

Despite its focus on seduction, "Bandida Fina" isn't solely about objectification. YOVNGCHIMI's portrayal of the "Bandida Fina" imbues her with a subtle sense of agency and empowerment. She's not just a target; she's taking control, playing her own game. This duality, the blending of sensuality with self-assurance, is what makes the song so intriguing and relatable.

A Global Phenomenon:

"Bandida Fina" has become a global phenomenon, topping charts in Latin America and beyond. The song has garnered millions of views on YouTube and sparked countless dance challenges on social media. It's been praised by critics for its catchy melody, infectious energy, and clever blend of musical styles.

More Than Just a Summer Hit:

But "Bandida Fina" transcends its status as a summer hit. It's a cultural touchstone, capturing the essence of Latin reggaeton's vibrant energy and confident swagger. It's a celebration of self-expression, of embracing your inner "Bandida Fina" and owning your desires.

So, the next time you hear the pulsating beat of "Bandida Fina," don't just stand there. Let the infectious rhythm take hold, embrace the playful spirit of seduction, and remember that sometimes, the most desirable people are the ones who dance to their own tune, just like the captivating "Bandida Fina."



Bandida Fina (part. Ozuna) YOVNGCHIMI

It's the Money Wayy
YOVNGCHIMI (Money Wayy)
Dime, Ozuna

Es de la calle la bebé, no sé cómo lo hace
Pero sabe que yo estoy pa' ella y que le llego al case
Ello' me envidian, yo lo sé (yo lo sé, mami)
Tranquila, que no tengo un FN (tranquila), tengo tre' (tengo tre')
Pero estamo' en love, bebé

Es stripper, sabe cómo seducirme
Son como diez mil cada vez que voy a vestirme
Te lo vo' a meter callao, bebé, no va a haber chisme
Llego en el deportivo, baby, solamente dime

Y me corre cuando te me trepa' encima
Con la Fendi, con mi' prenda' y con la ski mask
Es bandida, pero se la' da de fina
Quemar y bellaquear le fascina, eh-ah

Tengo debilidad con las strippers
I got them racks, baby, I'm a big tipper
Contigo es discreto, en la calle nadie sabe
Aunque cuando te busco, europeas son la' nave'

Quiero conocerte, baby, está en ti
Bebé, no te mentí, ando con el MP
Te llevo en un date, gasto cinco en ti
Te quiero en babydoll, Rihanna en lo' Fenty

En ti yo invierto y me tiene sin cojone'
Sabe que soy títere, pero ando en lo' millone'
Te veo en panty, dudo que te perdone
No es normal que contigo un maleante corone

Ando en el Porsche, tú me conoce' (conoce')
Siempre designer, ma, te lleno el clóset (closet)
Bebiendo rosé, la 512
Dale pa' casa, te vo' a hacer toa' la' pose'

Ando en el Porsche, tú me conoce'
Siempre designer, ma, te lleno el clóset
Bebiendo rosé, la 512
Dale pa' casa, te vo' a hacer toa' la' pose'

Es stripper, sabe cómo seducirme
Son como diez mil cada vez que voy a vestirme
Te lo vo' a meter callao, baby, no va a haber chisme
Llego en el deportivo, baby, solamente dime

Y me corre cuando te me trepa' encima
Con la Fendi, con mi' prenda' y con la ski mask
Es bandida, pero se la' da de fina
Y yo, que parezco que vendo heroína

Es de la calle la bebé, no sé cómo lo hace
Pero sabe que yo estoy pa' ella y que le llego al case'
Ello' me envidian, yo lo sé
Tranquila, que no tengo un FN, tengo tre'
Pero estamo' en love, bebé

Es stripper, sabe cómo seducirme
Son como diez mil cada vez que voy a vestirme
Te lo vo' a meter callao, bebé, no va a haber chisme
Llego en el deportivo, baby, solamente dime

Y me corre cuando te me trepa' encima
Con la Fendi, con mi' prenda' y con la ski mask
Es bandida, pero se la' da de fina
Quemar y bellaquear le fascina

Bebé, tú ere' bandida, yo lo sé
Te gusta beber lean, la' Percocet con la Rose
Tú misma te castiga' y te graba' en la' pose'
Es calle la maldita y tiene un R siempre C

Son cinco burra' en la banda que salen pa'l perreo
Acá hay un escarceo, ella está puesta con el negro, el bellaqueo
Modélame, bebé, tú ere' la mala
Quítate la ropa y déjateme la' Bottega

Bebé, estás dura, mai
Ponte mi' prenda' y solo dime qué hay
Tú ere' bandida, es que estás dura, mai
Ponte mi' prenda' y solo dime qué hay
Tú ere' bandida

Es de la calle la bebé, no sé cómo lo hace
Pero sabe que yo estoy pa' ella y que le llego al case'
Ello' me envidian, yo lo sé
Tranquila, que no tengo un FN, tengo tre'
Pero estamo' en love, bebé

Es stripper, sabe cómo seducirme
Son como diez mil cada vez que voy a vestirme
Te lo vo' a meter callao, bebé, no va a haber chisme
Llego en el deportivo, baby, solamente dime

Y me corre cuando te me trepa' encima
Con la Fendi, con mi' prenda' y con la ski mask
Es bandida, pero se la' da de fina
Y yo, que parezco que vendo heroína

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"Tiempo" serves as a poignant addition to Ozuna's repertoire, showcasing the reggaeton superstar's ability to infuse depth and emotion into his music. This track stands as a soul-stirring ballad that delves into the complexities of love, the passage of time, and the everlasting impact of meaningful relationships.
Ozuna, revered for his versatility and impactful compositions within the reggaeton genre, showcases a different facet of his artistry with "Tiempo." The song highlights his vocal prowess and emotive storytelling, emphasizing his ability to connect with audiences through heartfelt melodies and profound lyrics.
Lyrically, "Tiempo" likely explores themes of love, nostalgia, and the bittersweet nature of reminiscence. The verses might reflect on the passage of time, reminiscing about cherished moments and pondering the enduring impact of love. Ozuna's heartfelt delivery could evoke emotions, inviting listeners to reflect on their own experiences with love's transformative power.
Musically, the track is anticipated to feature a mellower tone, contrasting with Ozuna's usual energetic beats. It may present a more stripped-down production, allowing the focus to rest on the emotional depth of the lyrics and the raw sincerity of Ozuna's vocals. The melody is likely to be soulful and melodic, resonating with the song's introspective theme.
The music video, if available, might complement the song's narrative with visually captivating storytelling. It could showcase poignant scenes depicting the passage of time, moments of intimacy, and the emotions associated with love's journey. The visuals might resonate with viewers, offering a poignant visual representation of the song's heartfelt message.
"Tiempo" has likely garnered attention for its emotional resonance, Ozuna's heartfelt delivery, and the universal themes it explores. The track's ability to evoke emotions and resonate with listeners on a personal level speaks volumes about Ozuna's artistry and his connection with his audience.
Furthermore, this release stands as a testament to Ozuna's versatility as an artist, showcasing his ability to navigate various musical styles while delivering songs that touch the soul and leave a lasting impression.
In essence, "Tiempo" by Ozuna is a soul-stirring ballad that encapsulates the timeless essence of love and the profound impact it leaves on our lives. The track's emotive lyrics, paired with Ozuna's heartfelt vocals, create a poignant musical experience that resonates with listeners, inviting them to reflect on the enduring power of love through the passage of time.
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Woh-oh-oh, yeah
Te hace' la difícil pa' que ese culo no vea
Tú ere' atea, pero yo hago que tú crea'
A tu amiga le contaste que me desea'
Prendemo' el Phillie y matamo' to'a la' pena' (brr)
Dime tú, dime tú si el pasado no cuenta (el pasado no cuenta)
He soña'o con tu' gemido' (con tu' gemido')
Sigo perreando en la lenta (perreando en la lenta)
Repetir lo quе hicimo' ayer (oh, oh)
Es que esе cuerpo me tienta (ese cuerpo me tienta)
Vamo' a prender, vacilar y beber (vacilar y beber)
El que olvida, no recuerda (woh-oh-oh)
Ya lo conté a tu amiga cómo e' que yo te lo me-me
Si no va a querer que yo se lo vaya pone-ner
Tírame el location, baby, que yo vo'a caer-te
Como un ciego, mami, me muero por ver-te
Si quiere' algo serio, dime pa' yo no fallarte
Pero si quiere' jugar, tú dime pa' yo divertirme
Tiene' cara del motor que la hace falta a mi aceite
Te quito lo' Victoria y te hago la' 50 sombra' 'e Grey
No tenemo' hora 'e llegada, el Rolex 'tá fuera 'e tiempo
Yo hablo con el sexo, las palabra' se la' lleva el viento
Echamo' tre' polvo' y mañana damo' seguimiento
Yo vivo sin pagar renta en tus pensamiento'
Dime tú, dime tú si el pasado no cuenta (el pasado no cuenta)
He soña'o con tu' gemido' (con tu' gemido')
Sigo perreando en la lenta (perreando en la lenta)
Repetir lo que hicimo' ayer (oh, oh)
Es que ese cuerpo me tienta (ese cuerpo me tienta)
Vamo' a prender, vacilar y beber (vacilar y beber)
El que olvida, no recuerda
¿No te acuerda'? (¿no te acuerda'?)
Cuando lo hacíamo' en el Bentley y sudando
Tu mente y tú 'taban envuelta' ('taban envuelta')
Me pongo mal cuando tú me 'tás bellaqueando
Baby, bellaqueando
Te jalo po'l pelo
Y ahí e' que la baby coge vuelo
Y perreando, ahora hasta el suelo
Del alcohol perdí la cuenta (la cuenta)
Prende, pa' que la nota encienda' (encienda')
Se trepa y se arreguinda en mis prenda'
Bella-bellacona la bebé (la bebé)
Viene si tiene sed (no-oh)
No usa panty, se le ve (se le ve)
Quiere traerse par de amiga' a la ve' (a la ve')
E' una mala cuando pasaron la' tre' (la' tre', eh, eh)
Dime tú, dime tú si el pasado no cuenta (el pasado no cuenta)
He soña'o con tu' gemido' (con tu' gemido')
Sigo perreando en la lenta (perreando en la lenta)
Repetir lo que hicimo' ayer (ayer)
Es que ese cuerpo me tienta (ese cuerpo me tienta)
Vamo' a prender, vacilar y beber (vacilar y beber)
Y el que olvida, no recuerda (woh-oh-oh)

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Ozuna, a leading figure in the reggaeton and Latin music scene, continues to captivate audiences with his infectious beats and versatile style. "La Funka" emerges as a compelling addition to his repertoire, showcasing Ozuna's ability to infuse vibrant rhythms and energetic vibes into his music.

At its core, "La Funka" embodies a fusion of contemporary reggaeton with elements of funk and urban beats. The track's title, "La Funka," signifies a nod to funk music while infusing Ozuna's signature reggaeton style, creating a dynamic and invigorating musical experience.

Ozuna's delivery in "La Funka" demonstrates his trademark flow and versatile vocals, effortlessly riding the track's pulsating rhythm. His lyrical prowess shines through as he delivers catchy verses that complement the song's upbeat tempo, inviting listeners to immerse themselves in its energetic vibe.

Musically, "La Funka" boasts a lively and rhythmic production characterized by infectious beats, groovy basslines, and an amalgamation of electronic and Latin influences. The track's dynamic arrangements create an irresistible ambiance that entices audiences to move and groove to its infectious rhythm.

The music video for "La Funka" is anticipated to encapsulate the song's vibrant energy, potentially featuring Ozuna in colorful and dynamic settings, alongside captivating choreography and visuals that align with the track's pulsating beats.

"La Funka" has garnered attention for its lively and danceable nature, Ozuna's charismatic performance, and its ability to infuse funk-inspired elements into contemporary reggaeton. The track's infectious rhythm and energetic vibe have resonated with audiences, earning praise for its captivating allure.

Moreover, "La Funka" serves as a testament to Ozuna's creative versatility, showcasing his ability to experiment with diverse musical styles while staying true to his reggaeton roots. His knack for crafting songs that appeal to a global audience continues to solidify his position as a powerhouse in the Latin music industry.

In summary, "La Funka" by Ozuna stands as a vibrant and infectious anthem that merges elements of funk and reggaeton, creating an exhilarating musical journey. Its energetic beats, Ozuna's dynamic performance, and the track's fusion of rhythms make it a standout addition to his discography, leaving an indelible mark with its electrifying vibe.

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"SG" is a global collaboration featuring DJ Snake, Ozuna, Megan Thee Stallion, and LISA of BLACKPINK. Released in 2021, this multilingual track brings together artists from different musical backgrounds and languages to create a vibrant and energetic song. The accompanying music video is equally dynamic, featuring striking visuals and powerful performances. In this article, we'll delve into the details of the song, its artists, and the impact of "SG" on the international music scene.

1. DJ Snake:
DJ Snake, whose real name is William Sami Étienne Grigahcine, is a renowned French DJ and producer. He's known for his contributions to the electronic and dance music genres. DJ Snake has worked with numerous international artists and is celebrated for his hit songs such as "Turn Down for What" and "Taki Taki."

2. Ozuna:
Juan Carlos Ozuna Rosado, known professionally as Ozuna, is a Puerto Rican reggaeton and Latin trap artist. He's recognized for his smooth vocal delivery and has become a prominent figure in the Latin music industry. Ozuna has collaborated with artists like Cardi B, Selena Gomez, and Daddy Yankee.

3. Megan Thee Stallion:
Megan Jovon Ruth Pete, better known as Megan Thee Stallion, is an American rapper, singer, and songwriter. She gained widespread recognition for her hit singles "Savage" and "WAP." Megan is known for her empowering lyrics and her impact on contemporary hip-hop.

4. LISA (BLACKPINK):
Lalisa Manoban, widely known as LISA, is a member of the globally acclaimed South Korean girl group BLACKPINK. LISA is celebrated for her rapping and dancing skills and has a substantial solo career as well.

5. Multilingual Collaboration:
"SG" is notable for its multilingual nature. The song incorporates lyrics in English, Spanish, and Korean, reflecting the diverse backgrounds of the artists involved. This multilingual approach makes "SG" accessible to a global audience and demonstrates the universality of music.

6. Energetic Sound:
The song is characterized by its upbeat and infectious sound, blending elements of reggaeton, hip-hop, and electronic dance music. The energetic beat and catchy melody make "SG" a high-energy track that's suitable for a wide range of music enthusiasts.

7. Empowering Lyrics:
The lyrics of "SG" emphasize themes of empowerment and self-confidence. Megan Thee Stallion and LISA, in particular, deliver verses that encourage self-assurance and celebrate individuality.

8. Visual Spectacle:
The music video for "SG" is a visual feast. It features striking imagery, vibrant colors, and captivating choreography. The video showcases each artist's distinct style and charisma, further enhancing the song's impact.

9. International Collaboration:
"SG" is a testament to the power of international collaboration in the music industry. It brings together artists from France, Puerto Rico, the United States, and South Korea, showcasing the global reach of modern music.

10. Cross-Cultural Appeal:
The song's ability to seamlessly blend different languages and musical styles underscores its cross-cultural appeal. "SG" has attracted a wide and diverse audience, uniting fans from various regions and backgrounds.

In conclusion, "SG" is a testament to the global nature of contemporary music and the potential for artists from diverse backgrounds to come together and create something spectacular. With DJ Snake's production skills, Ozuna's reggaeton influence, Megan Thee Stallion's rap prowess, and LISA's K-pop charm, "SG" offers a unique and dynamic listening experience. The song's multilingual approach and empowering lyrics make it an anthem of self-confidence and individuality, resonating with audiences around the world. The music video further elevates the track's impact with its stunning visuals and choreography, making "SG" a significant contribution to the international music scene.

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"Travesuras Remix" is a Spanish-language song by Nio García in collaboration with several other prominent Latin artists, including Casper Mágico, Ozuna, Myke Towers, Wisin, and Yandel. The song was released in 2021 and is a remix of the original track "Travesuras" by Nio García.

Here are some key details about "Travesuras Remix":

Release: "Travesuras Remix" was released as a single in 2021. The song is a collaboration between multiple Latin artists, bringing together various styles and voices.

Genre: The song falls within the reggaeton and Latin pop genres, characterized by its infectious rhythm, danceable beat, and Spanish-language lyrics.

Lyrics: The lyrics of "Travesuras Remix" are likely to explore themes of romance, attraction, and the joy of living life to the fullest, which are common themes in reggaeton and Latin pop music.

Success: The song received commercial success and garnered millions of streams and views on digital platforms. The collaboration of well-known artists in the Latin music scene contributed to the song's recognition.

"Travesuras Remix" is a lively and energetic Latin song that brings together the talents of multiple artists, making it appealing to fans of reggaeton and Latin pop. It showcases the vibrant and collaborative nature of the Latin music industry.

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"Los Dioses" is a collaborative album by Puerto Rican reggaeton artists Anuel AA and Ozuna. The album was released in 2021 and is a significant project in the Latin urban music scene. It includes a collection of songs, some of which are notable collaborations between the two artists.

Here are some key details about "Los Dioses" by Anuel AA and Ozuna:

Release: "Los Dioses" was released as an album in early 2021. The project was highly anticipated by fans of both Anuel AA and Ozuna, as it marked their first full-length collaborative effort.

Genre: The album falls within the reggaeton and Latin urban genres, known for their rhythmic beats, melodic hooks, and themes often related to love, relationships, lifestyle, and personal experiences.

Collaboration: "Los Dioses" showcases the collaborative efforts of Anuel AA and Ozuna, two of the most prominent figures in the Latin urban music industry. The project allowed them to combine their talents and styles, creating a dynamic musical experience.

Success: "Los Dioses" received commercial success and attention from fans and critics. The album includes a mix of energetic and melodic tracks, highlighting the versatility of both artists.

The title "Los Dioses" translates to "The Gods" in English, and the album's title suggests the immense influence and impact Anuel AA and Ozuna have had in the Latin urban music world. The project is a testament to the ongoing evolution and creativity within the reggaeton and Latin urban genres. It's likely to appeal to fans of both artists and the Latin urban music scene as a whole.

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"Diles" is a collaborative reggaeton song featuring several prominent Puerto Rican artists in the genre. It was released in 2016 and became a notable track within the Latin urban music scene. Here's more information about the song and the artists involved:

Genre and Style: "Diles" falls within the reggaeton genre, characterized by its rhythmic beats, catchy melodies, and often explicit lyrics. The song features a blend of reggaeton and trap music elements.

Artists: "Diles" brings together several well-known Puerto Rican reggaeton and trap artists:

Bad Bunny: A prominent figure in Latin urban music, Bad Bunny is known for his distinctive style and contributions to the genre.
Ozuna: Ozuna is a highly successful reggaeton and Latin trap artist known for his melodic hooks and collaborations with other Latin music stars.
Farruko: Farruko is a versatile artist in the Latin urban music scene, known for his contributions to reggaeton, Latin trap, and other genres.
Arcangel: Arcangel is a reggaeton artist and songwriter known for his distinctive voice and style.
Ñengo Flow: Ñengo Flow is a Puerto Rican reggaeton and Latin trap artist known for his lyricism and flow.

Lyrics and Theme: The lyrics of "Diles" revolve around themes commonly found in reggaeton music, including love, attraction, and desire. The song features each artist taking a turn to express their desires and intentions toward a romantic interest.

Commercial Success: "Diles" achieved commercial success within the Latin music scene, receiving extensive airplay and streaming numbers. It became a hit song and contributed to the recognition of the featured artists.

Collaboration: The collaboration of multiple well-known artists in "Diles" showcased the synergy of their talents and helped introduce them to a wider audience.

Music Video: The music video for "Diles" features the artists in various urban settings, emphasizing the song's themes of desire and attraction. It has garnered millions of views on YouTube.

Cultural Impact: "Diles" is remembered as a successful reggaeton and Latin trap collaboration that brought together some of the genre's leading figures. It further solidified the artists' positions in the Latin urban music scene.

Overall, "Diles" is a collaborative reggaeton and trap song featuring Bad Bunny, Ozuna, Farruko, Arcangel, and Ñengo Flow. It's recognized for its catchy melodies and contributions from some of the top artists in the Latin urban music scene.

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"La Ocasión" is a reggaeton and Latin trap song by Puerto Rican artists De La Ghetto, Arcangel, Ozuna, and Anuel AA. It was released in 2016 and quickly gained popularity in the Latin music scene. The song is known for its catchy melody and the collaboration of prominent artists from the genre. Here's more information about the song and the artists involved:

Genre and Style: "La Ocasión" is primarily classified as a reggaeton and Latin trap song. It combines elements of reggaeton, trap, and hip-hop, creating a contemporary and urban sound.

Artists:

De La Ghetto: De La Ghetto, whose real name is Rafael Castillo, is a Puerto Rican singer and songwriter known for his contributions to the reggaeton and Latin urban music scene. He has collaborated with various artists in the genre and has a distinctive singing style.

Arcangel: Arcangel, whose real name is Austin Santos, is a Puerto Rican singer, rapper, and songwriter known for his versatility in both reggaeton and Latin trap. He has been a prominent figure in the Latin urban music industry.

Ozuna: Ozuna, whose real name is Juan Carlos Ozuna Rosado, is a Puerto Rican singer and songwriter known for his melodic trap and reggaeton music. He has gained international acclaim for his contributions to the genre.

Anuel AA: Anuel AA, whose real name is Emmanuel Gazmey Santiago, is a Puerto Rican rapper and singer known for his work in Latin trap. He has a distinctive voice and style and is recognized for his collaborations with other Latin urban artists.

Lyrics and Theme: "La Ocasión" explores themes of love, desire, and making the most of the moment. The song's lyrics focus on a romantic encounter and the desire to seize the opportunity for a passionate connection.

Catchy Chorus: The song features a memorable and rhythmic chorus, with the lines "Baby, ya yo me enteré, se nota cuando me ve' / Ahí donde no has llegao' sabes que yo te llevaré."

Commercial Success: "La Ocasión" achieved commercial success in the Latin music scene, receiving significant radio airplay and charting well in various Latin music charts.

Collaboration: The song is notable for bringing together several influential artists from the reggaeton and Latin trap genres, showcasing their individual styles and talents in one track.

Music Video: The music video for "La Ocasión" features the artists in various urban settings, reflecting the song's urban and contemporary style.

Cultural Impact: "La Ocasión" is remembered as a hit collaboration in the Latin urban music scene and as a track that brought together some of the genre's prominent artists.

Live Performances: The song has been performed by the artists at live events and concerts, often generating enthusiastic responses from fans.

Overall, "La Ocasión" is a reggaeton and Latin trap hit that features a collaboration of notable Puerto Rican artists. It reflects the urban and contemporary sound of Latin urban music and contributed to the ongoing popularity of reggaeton and Latin trap in the music industry.

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"La Rompe Corazones" is a reggaeton and Latin pop song by Puerto Rican artist Daddy Yankee, featuring vocals from Puerto Rican singer Ozuna. The song was released in 2017 and became a hit, known for its catchy beat, danceable rhythm, and lyrics about love and attraction. Here's more information about the song:

Genre and Style: "La Rompe Corazones" is primarily classified as a reggaeton and Latin pop song. It features a mid-tempo rhythm, reggaeton beats, and a blend of Daddy Yankee's and Ozuna's vocal styles.

Vocals: The song features vocals from both Daddy Yankee and Ozuna. Their collaboration adds to the song's appeal by combining their individual vocal talents.

Lyrics and Theme: The song's lyrics revolve around themes of love, attraction, and seduction. The term "La Rompe Corazones" translates to "The Heartbreaker," reflecting the song's lyrics about someone who has the power to captivate and break hearts.

Catchy Chorus: The song's catchy chorus, featuring the lines "Porque en el amor todo se vale / Y tú rompiste mi corazón," contributes to its memorable and danceable nature.

Commercial Success: "La Rompe Corazones" achieved commercial success, reaching high positions on music charts and becoming a popular track in the reggaeton and Latin music scene.

Music Video: The music video for "La Rompe Corazones" features visuals that match the song's playful and flirtatious vibe. The video showcases scenes of romance and attraction.

Collaboration with Ozuna: The collaboration between Daddy Yankee and Ozuna brought together two influential artists from the reggaeton genre, resulting in a song that resonated with fans of both artists.

Album "El Disco Duro": "La Rompe Corazones" is part of Daddy Yankee's album "El Disco Duro," released in 2018. The album features a mix of reggaeton and urban tracks.

Cross-Genre Appeal: "La Rompe Corazones" appealed to a wide audience due to its blend of reggaeton and Latin pop elements, making it suitable for both dance and radio play.

Live Performances: Both Daddy Yankee and Ozuna have performed "La Rompe Corazones" at various concerts and events, often using it as a crowd-pleaser.

Continued Presence: "La Rompe Corazones" remains a recognizable track in both artists' discographies and continues to be played on radio stations, streaming platforms, and playlists.

Collaboration Impact: The collaboration between Daddy Yankee and Ozuna highlights the collaborative nature of the reggaeton genre and its ability to bring together artists with diverse musical styles.

Overall, "La Rompe Corazones" is a catchy and danceable reggaeton track that showcases the collaborative efforts of Daddy Yankee and Ozuna. Its playful lyrics, memorable chorus, and fusion of reggaeton and Latin pop elements contributed to its popularity and lasting appeal within the Latin music scene.

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"Te Vas" is a reggaeton and Latin pop song by Puerto Rican singer Ozuna. The song was released in 2016 and became one of Ozuna's breakthrough hits, helping to establish him as a prominent figure in the Latin music scene. Here's more information about the song:

Genre and Style: "Te Vas" is primarily classified as a reggaeton and Latin pop song. It features a blend of reggaeton beats, melodic pop hooks, and Ozuna's signature vocal style.

Lyrics and Theme: The song's lyrics revolve around themes of heartbreak and a failed romantic relationship. The lyrics describe a person expressing sadness and longing for a former partner who has moved on.

Melodic Hooks: The song's catchy chorus and melodious verses contributed to its popularity and appeal to a wide audience.

Commercial Success: "Te Vas" achieved significant commercial success within the Latin music industry, garnering millions of streams and views across various platforms.

Music Video: The music video for "Te Vas" features Ozuna in various settings, including urban landscapes and romantic scenes. The video's visuals enhance the emotional impact of the song's lyrics.

Album "Odisea": "Te Vas" is part of Ozuna's debut studio album "Odisea," released in 2017. The album marked a milestone in Ozuna's career and helped solidify his presence in the Latin music scene.

Impact: "Te Vas" played a pivotal role in Ozuna's rise to fame and helped introduce him to a broader audience beyond Puerto Rico.

Live Performances: Ozuna has performed "Te Vas" at concerts and events, often eliciting enthusiastic responses from fans.

Legacy: "Te Vas" remains one of Ozuna's signature songs, showcasing his ability to deliver emotional and melodic tracks that resonate with listeners.

Continued Success: Following the success of "Te Vas," Ozuna continued to release hit singles and albums, solidifying his status as one of the leading artists in the Latin music industry.

The song's blend of reggaeton and pop elements, along with its emotional lyrics, contributed to "Te Vas" becoming a standout hit in Ozuna's discography. Its relatable theme of heartbreak and Ozuna's emotive vocal delivery have made it a favorite among fans of Latin urban music.

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"El Farsante" is a reggaeton song by Puerto Rican singer Ozuna. The song was originally released as part of Ozuna's debut studio album, "Odisea," in 2017. It became one of the standout tracks from the album and gained significant popularity, especially with fans of reggaeton and Latin urban music.

The lyrics of "El Farsante" revolve around themes of love, heartbreak, and the complexities of relationships. The term "farsante" in Spanish translates to "pretender" or "faker," and the song's lyrics discuss the emotional pain caused by a partner who pretends to be something they're not.

Ozuna's smooth vocals and the catchy melody of "El Farsante" contributed to its success. The song's rhythm, typical of reggaeton, provides a danceable backdrop for its emotional lyrics.

"El Farsante" was not only well-received by fans but also received attention from music charts and streaming platforms. The song's popularity led to a remix collaboration with fellow Puerto Rican artist Romeo Santos, a prominent figure in the bachata genre. The remix version, featuring Romeo Santos, helped extend the song's reach to new audiences.

The music video for "El Farsante" features Ozuna in various emotional scenes, adding visual storytelling to the song's themes. The song's emotional resonance and relatable subject matter made it a favorite among listeners.

Ozuna's contributions to the reggaeton and Latin music scenes have solidified his position as a leading figure in the genre, and "El Farsante" is an example of his ability to connect with audiences through his music.

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"Tu Foto" is a song by Puerto Rican reggaeton and Latin trap artist Ozuna. It was released in 2017 as a single, and it gained significant popularity in the Latin music scene.

"Tu Foto" is a romantic ballad that features heartfelt lyrics expressing love and longing. The song's theme revolves around the concept of cherishing a photograph of a loved one and feeling the emotions associated with the memories it holds. The lyrics convey a sense of nostalgia and the desire to relive moments captured in the photograph.

The music video for "Tu Foto" complements the song's sentiment, featuring Ozuna in various scenes as he reflects on the memories represented by the photo. The video's visuals add depth to the emotional aspect of the song.

"Tu Foto" received positive feedback from fans and music critics, and it became one of Ozuna's notable hits. The song showcases his versatility as an artist, as he is known for his ability to create both upbeat reggaeton tracks and more emotional ballads.

Ozuna's contribution to the Latin music scene, his distinctive sound, and his ability to connect with listeners have made "Tu Foto" a significant song in his repertoire, further solidifying his position as one of the prominent figures in the modern reggaeton and Latin music landscape.

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"Me Niego" is a song by the Mexican pop band Reik, featuring Puerto Rican reggaeton artists Ozuna and Wisin. The song was released in 2018 and quickly became a hit in the Latin music scene.

"Me Niego" is a heartfelt and emotional ballad that explores the themes of love, heartbreak, and regret. The lyrics revolve around a failed relationship, with the singer expressing their refusal to accept the reality of the breakup. The chorus, with the repeated line "Me niego a perderte," conveys the pain of letting go.

The collaboration between Reik, Ozuna, and Wisin brings together a mix of musical styles, combining Reik's pop sensibility with Ozuna's reggaeton flow and Wisin's urban influence. The result is a fusion of genres that adds depth to the song.

The music video for "Me Niego" complements the song's emotional tone, showcasing the aftermath of a love story with flashbacks of happier times. The video has garnered millions of views on YouTube, contributing to the song's popularity.

"Me Niego" became a massive hit in the Latin music world, topping charts and receiving positive reviews from both fans and critics. Its melodious chorus and the combination of the distinctive styles of Reik, Ozuna, and Wisin made it a memorable and relatable track.

The song's success solidified its place as a significant collaboration in the Latin music scene, showcasing the versatility of the artists involved and their ability to create a powerful and memorable ballad.

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"Vaina Loca" is a song by Puerto Rican reggaeton and Latin trap artist Ozuna, in collaboration with Colombian singer Manuel Turizo. It was released in 2018 as a single.

"Vaina Loca" is characterized by its infectious reggaeton beat and catchy melody. The song's title, "Vaina Loca," translates to "Crazy Thing" in English, and the lyrics revolve around a playful and flirtatious narrative. The artists sing about a spontaneous and passionate encounter with a woman, capturing the excitement and energy of the moment.

The song's production combines reggaeton elements with a modern urban sound, featuring a mix of electronic and tropical instrumentation. Ozuna and Manuel Turizo's vocal performances complement each other, adding to the song's dynamic and energetic vibe.

"Vaina Loca" received positive feedback from both fans and music critics for its catchy melody and danceable rhythm. The song's upbeat and lighthearted nature contributed to its popularity within the Latin music community.

The music video for "Vaina Loca" features Ozuna and Manuel Turizo in various vibrant settings, showcasing their charisma and chemistry. The video's visuals capture the carefree and fun atmosphere of the song.

Upon its release, "Vaina Loca" became a hit in the Latin music scene, reaching high positions on various music charts and streaming platforms. The song's catchy hook and danceable rhythm made it a popular choice at parties, clubs, and other social events.

Overall, "Vaina Loca" is considered a successful collaboration between Ozuna and Manuel Turizo, showcasing their individual styles and contributing to the growth of urban Latin music. It remains a favorite among fans of reggaeton and Latin pop.

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"Ahora Dice" is a popular song by Puerto Rican producer Chris Jeday, featuring Colombian reggaeton singer J. Balvin, Puerto Rican singer Ozuna, and Puerto Rican rapper Arcángel. It was released in 2017 and quickly became a hit in the Latin music scene.

"Ahora Dice" is a reggaeton track with a blend of trap elements, creating a moody and atmospheric sound. The song's lyrics revolve around heartbreak and the pain of a failed relationship, with the title "Ahora Dice" translating to "Now She Says" in English.

The song was written by the artists themselves, along with other songwriters, and produced by Chris Jeday. It features J. Balvin's smooth and rhythmic vocals, Ozuna's emotive singing, and Arcángel's rap verses, combining their distinct styles to create a captivating and emotionally charged collaboration.

Upon its release, "Ahora Dice" achieved commercial success and critical acclaim. It topped the charts in various Latin American countries and received significant airplay on radio stations and streaming platforms. The song's melancholic vibe, powerful chorus, and the vocal chemistry between J. Balvin, Ozuna, and Arcángel resonated with audiences, making it a favorite among fans of Latin urban and trap music.

The music video for "Ahora Dice" was filmed in a desolate and apocalyptic setting, reflecting the emotional turmoil conveyed in the song's lyrics. The video's dark visuals complement the song's themes of heartbreak and emotional struggle.

"Ahora Dice" received positive reviews from music critics, who praised its moody and atmospheric sound, as well as the vocal performances of the featured artists.

Overall, "Ahora Dice" represents a successful collaboration between Chris Jeday, J. Balvin, Ozuna, and Arcángel, capturing the essence of Latin music's emotional and expressive spirit. Its blend of reggaeton and trap elements, the emotive performances of all artists involved, and its exploration of heartbreak and emotional vulnerability have made it a standout track in the Latin urban genre, resonating with audiences worldwide.

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"Escápate Conmigo" is a popular song by Puerto Rican reggaeton artists Wisin and Ozuna. It was released in 2017 as a single from Wisin's fourth studio album, "Victory."

"Escápate Conmigo" is a reggaeton and Latin pop track with a catchy and danceable sound. The song's lyrics describe a desire to escape from everyday life and go on an adventure with a loved one, embracing the spontaneity of the moment.

The song was written by Wisin and Ozuna, along with other songwriters. It features Wisin's signature reggaeton-style vocals and Ozuna's smooth and melodic singing, creating a dynamic and engaging collaboration.

Upon its release, "Escápate Conmigo" achieved commercial success worldwide. It topped the charts in various Latin American countries and became a hit in the Latin music scene. Its infectious chorus, the chemistry between Wisin and Ozuna, and its fun and romantic vibe resonated with audiences, making it a favorite among fans of Latin urban music.

The music video for "Escápate Conmigo" features Wisin and Ozuna in a tropical and colorful setting, with scenes depicting a party and a romantic storyline. The video's visuals complement the song's themes of adventure and romance.

"Escápate Conmigo" received positive reviews from music critics, who praised its catchy and upbeat sound, as well as the vocal collaboration between Wisin and Ozuna.

Overall, "Escápate Conmigo" represents a successful collaboration between two prominent figures in the Latin urban music scene. Its lively and feel-good nature, Wisin and Ozuna's expressive performances, and its celebration of living in the moment and embracing love have made it one of the standout tracks in both artists' discographies, capturing the essence of spontaneous and romantic experiences.