Articles by "Lyrics"
Showing posts with label Lyrics. Show all posts

POPULAR SONGS 2024, Top songs, billboard 100, new songs, best songs, trending, charts, love songs, lyrics, letra, lirik lagu, sarki sözleri, Hit Song
Rock and Roll Hall of Famers Bon Jovi are back with a bang! Their latest single, "Legendary," released in March 2024, marks the first taste of their upcoming sixteenth studio album, "Forever." The song is a mid-tempo rocker that boasts a powerful message about finding fulfillment in everyday life and celebrating the enduring spirit of rock and roll. This release comes after a four-year hiatus, with frontman Jon Bon Jovi overcoming vocal issues that required surgery.

"Legendary" opens with a contemplative acoustic guitar intro, setting the stage for Jon Bon Jovi's instantly recognizable vocals. Gone are the high-octane screams of their younger days; instead, Bon Jovi delivers a more mature and soulful performance, brimming with sincerity. The lyrics, co-written by Jon with Billy Falcon and John Shanks, explore themes of self-reflection and finding value in the simple things. Lines like "Who are you and who am I / To think that we could ever fly?" establish a sense of groundedness, a stark contrast to the aspirational anthems of their earlier work.

However, the song isn't simply a nostalgic ballad. The chorus explodes with a driving beat and a soaring guitar solo by Phil X, reminding listeners that Bon Jovi haven't lost their rock and roll edge. Lines like "I raise my hands up to the sky / Don't need more to tell me I'm alive / Got what I want / Cause I got what I need" showcase a sense of contentment and a celebration of life's simple pleasures.

The song also pays subtle homage to Bon Jovi's musical influences. References to Neil Diamond and Van Morrison weave a sense of classic rock nostalgia into the song's fabric. This isn't just a new Bon Jovi song; it's a love letter to the music that inspired them and continues to inspire generations of fans.

"Legendary" has been met with positive reception from critics and fans alike. Many praise the song's heartfelt message and Jon Bon Jovi's powerful vocals, marking a successful return to form for the legendary band. Social media has been buzzing with excitement for the upcoming album, with fans eager to hear the full scope of Bon Jovi's creative evolution.

The release of "Legendary" signifies more than just a new song; it marks a new chapter for Bon Jovi. The song embraces their veteran status while showcasing their ability to evolve and adapt to changing times. It's a testament to the enduring power of rock and roll and the ability of music to connect with audiences across generations.

Whether you're a lifelong Bon Jovi fan or a new listener discovering their music for the first time, "Legendary" is a song that resonates with its message of finding joy in the ordinary and celebrating the things that make life truly legendary. With a new album on the horizon and a renewed creative spark, Bon Jovi seems poised to continue their reign as rock and roll royalty for years to come.



Lyrics:

Who are you and who am I,
To think that we could ever fly?
It don’t pay to even try
Work, get paid, and just get by
Sons of sons, bricks on bricks
What’s broken you don’t try to fix
Round here there ain’t no “whys” and “ifs”
You don’t pick up what you can’t lift

I raise my hands up to the sky
Don’t need more to tell me I’m alive

Got what I want
Cause I got what I need
Got a fistful of friends
That’ll stand up for me
Right where I am
Is where I wanna be.
Friday night comes
Around like a song
Sweet Caroline and we all sing along,
Got my brown eyed girl
And she believes in me.
Legendary

I know this town
Like the back of my hand
Every crack in the sidewalk
Tells me who I am
Live and you love
Is the law of the land
These are our dreams
That’s where we stand

Raise my hands up to the sky
Don’t need more to tell me I’m alive

Got what I want
Cause I got what I need
Got a fistful of friends
That’ll stand up for me
Right where I am
Is where I wanna be.
Friday night comes
Around like a song
Sweet Caroline and we all sing along,
Got my brown eyed girl
And she believes in me.
Legendary

Who are you and who am I
To think that we could ever fly

Got what I want
Cause I got what I need
Got a fistful of friends
That’ll stand up for me
Right where I am
Is where I wanna be.
Friday night comes
Around like a song
Sweet Caroline and we all sing along,
Got my brown eyed girl
And she believes in me.
Legendary
Legendary

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POPULAR SONGS 2024, Top songs, billboard 100, new songs, best songs, trending, charts, love songs, lyrics, letra, lirik lagu, sarki sözleri, Hit Song
Colombian heartthrob Feid is back with a sultry offering, "Alakran" (Scorpion), a song that blends infectious reggaeton rhythms with a touch of vulnerability. The accompanying music video, a visual feast of neon lights and captivating choreography, further amplifies the song's seductive energy.

Released in February 2024, "Alakran" quickly climbed the charts, solidifying Feid's position as a leading force in Latin music. The song's appeal lies in its ability to be both dance-floor ready and emotionally resonant. The reggaeton beat pulsates with energy, inviting listeners to move, while the lyrics explore themes of desire, betrayal, and the sting of a love gone wrong.

Feid's vocals are a highlight of the song. He delivers the lyrics with a smooth sensuality, effortlessly navigating between playful confidence and a hint of underlying pain. The opening line, "Yo sé lo que tú quieres, mami" (I know what you want, baby) sets a direct tone, while the chorus pleads, "No me hagas picar, yo soy un alacrán" (Don't make me sting, I'm a scorpion), a metaphor for his guarded heart after experiencing betrayal.

The music video, directed by Daniel DuQUE, perfectly complements the song's seductive atmosphere. The scene opens with Feid bathed in neon lights, surrounded by a group of alluring dancers. The choreography is a blend of sensuality and danger, mirroring the lyrics' exploration of desire and emotional turmoil. As the video progresses, the visuals shift, showcasing Feid alone in a stark, industrial setting, reflecting the isolation and pain of heartbreak.

The contrast between these two settings is visually striking and reinforces the song's central themes. The vibrant, dance-filled scenes represent the initial allure of the relationship, while the more solitary moments depict the aftermath of betrayal. The use of close-ups on Feid's face throughout the video allows viewers to connect with his emotional vulnerability, adding depth to the song's message.

"Alakran" has sparked conversation among fans, with some praising its catchy beat and others intrigued by the metaphorical use of the scorpion. Social media has been abuzz with fan interpretations, with many drawing parallels between the song's themes and their own experiences with love and betrayal.

Feid's "Alakran" is more than just a reggaeton song; it's a captivating exploration of desire, betrayal, and the emotional consequences of love. The song's infectious melody, Feid's smooth vocals, and the visually stunning music video create a powerful package that is sure to leave a lasting impression. "Alakran" further cements Feid's status as a rising star in Latin music, with his ability to blend danceable rhythms with introspective themes.



Lyrics:

Las chimbitas a ver donde estan?
Que pelen las nalguitas como chin chan
Se sientan en la silla del huracán
Viper Viper no confia en na’ Ey!
Ojitos verdes son de Bottega
Me llega a la casa flow Servientrega
Carolina, Tati y Marcela
Todas boutique yeah! todas marguiella uy!
Todas caen dominó
Hoy es viernes van pa el club
They’re shiny sim ellas las Que hacen el gol
No hacen fila para el VIP con los tacos, las tennis de Loui V
Ellas llegaron sorneras en SUV todas caras diamantes, anillos, rubí
Hey!
Toa’ las babies llegan al party
Unas paisitas otras de Cali
Otras flow exóticas Miami
Todos los gatos buscando las mamis
(X2)

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POPULAR SONGS 2024, Top songs, billboard 100, new songs, best songs, trending, charts, love songs, lyrics, letra, lirik lagu, sarki sözleri, Hit Song
The 2024 Sanremo Music Festival witnessed a shift in tone with the captivating performance of Angelina Mango. This rising star, daughter of the iconic Italian singer Mango, took the stage with her introspective ballad "La Noia" (The Boredom), capturing the hearts of audiences and critics alike. While established names often dominate Sanremo, Angelina's raw talent and relatable theme resonated with a younger generation, proving that vulnerability can be just as powerful as bombast on the Sanremo stage.

Dressed in a simple black outfit, Angelina commanded attention with her genuine stage presence. Her voice, a soulful blend of youth and maturity, carried the weight of the song's melancholic beauty. The accompanying visuals were equally understated, featuring soft lighting and poignant imagery that reflected the emotional landscape of the lyrics.

"La Noia" is a stark contrast to the energetic anthems often showcased at Sanremo. The song delves into the complexities of teenage ennui, a theme that resonated deeply with younger viewers. Angelina sings of feeling lost in a world that seems to be passing her by, yearning for connection and a sense of purpose. Lines like "Sento il vuoto che mi chiama" (I hear the emptiness calling me) and "Voglio urlare ma non ho voce" (I want to scream but I have no voice) paint a picture of quiet desperation, a sentiment many young people can identify with.

The beauty of the song lies in its simplicity. The piano melody is delicate and melancholic, perfectly complementing the vulnerability in Angelina's vocals. The use of strings adds a touch of elegance, elevating the song beyond a simple teenage lament. There are no dramatic crescendos or forced emotional outbursts; instead, "La Noia" relies on quiet power, drawing the listener into Angelina's introspective world.

Angelina's performance sparked a wave of conversation in Italy. Many praised her for bringing a fresh perspective to Sanremo, a festival often criticized for being out of touch with younger generations. Social media was flooded with comments from young people who saw themselves reflected in Angelina's lyrics. "La Noia" became more than a song; it became a relatable anthem for those struggling to find their place in the world.

Of course, some critics found the song's melancholic tone lacking in the energy typically associated with Sanremo. They argued that it paled in comparison to the more dynamic performances on the night. However, Angelina's performance proved that vulnerability can be a powerful tool. In a competition often dominated by established artists, her raw talent and relatable theme shone through.

Sanremo 2024 may not have been Angelina Mango's year for the grand prize, but her performance of "La Noia" marked a significant moment for the festival. She ushered in a new era of vulnerability and introspection, proving that relatable themes and genuine emotion can resonate just as powerfully as established formulas. Angelina's star is on the rise, and with her unique voice and ability to capture the complexities of youth, she is sure to leave a lasting mark on the Italian music scene.



Angelina Mango - La noia (Official Video - Sanremo 2024) - Testo:

Quanti disegni ho fatto
Rimango qui e li guardo
Nessuno prende vita
Questa pagina è pigra
Vado di fretta

E mi hanno detto che la vita è preziosa
Io la indosso a testa alta sul collo
La mia collana non ha perle di saggezza
A me hanno dato le perline colorate
Per le bimbe incasinate con i traumi
Da snodare piano piano con l’età
Eppure sto una Pasqua guarda zero drammi
Quasi quasi cambio di nuovo città
Che a stare ferma a me mi viene
A me mi viene

La noia
La noia
La noia
La noia

Muoio senza morire
In questi giorni usati
Vivo senza soffrire
Non c’è croce più grande
Non ci resta che ridere in queste notti bruciate
Una corona di spine sarà il dress-code per la mia festa

È la cumbia della noia
È la cumbia della noia
Total
Ah, è la cumbia della noia
La cumbia della noia
Total

Quanta gente nelle cose vede il male
Viene voglia di scappare come iniziano a parlare
E vorrei dirgli che sto bene ma poi mi guardano male
Allora dico che è difficile campare
Business parli di business
Intanto chiudo gli occhi per firmare i contratti
Princess ti chiama princess
Allora adesso smettila di lavare i piatti

Muoio senza morire
In questi giorni usati
Vivo senza soffrire
Non c’è croce più grande
Non ci resta che ridere in queste notti bruciate
Una corona di spine sarà il dress-code per la mia festa

È la cumbia della noia
È la cumbia della noia
Total
Ah, è la cumbia della noia
La cumbia della noia
Total

Allora scrivi canzoni?
Si, le canzoni d’amore
E non ti voglio annoiare
Ma qualcuno le deve cantare
Cumbia, ballo la cumbia
Se rischio di inciampare almeno fermo la noia
Quindi faccio una festa, faccio una festa
Perché è l’unico modo per fermare
Per fermare
Per fermare, ah

La noia
La noia
La noia
La noia

Muoio perché morire
Rende i giorni più umani
Vivo perché soffrire
Fa le gioie più grandi
Non ci resta che ridere in queste notti bruciate
Una corona di spine
Sarà il dress-code per la mia festa

È la cumbia della noia
È la cumbia della noia
Total
Ah, è la cumbia della noia
La cumbia della noia
Total
Total

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POPULAR SONGS 2024, Top songs, billboard 100, new songs, best songs, trending, charts, love songs, lyrics, letra, lirik lagu, sarki sözleri, Hit Song
The 2024 Sanremo Music Festival witnessed a powerful performance from rapper Geolier with his energetic single "I P' ME, TU P' TE" (You Do You, I Do Me). The song, a pulsating blend of rap and contemporary Italian pop, quickly became a fan favorite, propelling Geolier to the forefront of the competition. While he may not have taken home the grand prize, "I P' ME, TU P' TE" solidified his reputation as a rising star in the Italian music scene.

The official video, filmed live at the Sanremo Festival, captures the electrifying energy of Geolier's performance. Clad in a vibrant tracksuit, he commands the stage with his confident demeanor and captivating stage presence. The camera pans across the enthusiastic audience, their cheers and rhythmic hand movements amplifying the song's infectious energy.

The title itself, a catchy play on words in the Neapolitan dialect, sets the tone for the song's message of self-reliance and individuality. Geolier raps about staying true to oneself, navigating the complexities of the music industry, and chasing dreams with unwavering determination. Lines like "Io faccio la mia strada, punto e basta" (I make my own way, that's it) and "Nessuno mi ferma più" (Nobody can stop me anymore) showcase his unwavering self-belief.

The music perfectly complements the braggadocious nature of the lyrics. A driving trap beat lays the foundation, punctuated by pulsating synths and rhythmic handclaps. Geolier's rapid-fire delivery adds a layer of urgency, keeping the listener engaged throughout. While the song is primarily in Neapolitan dialect, the catchy chorus, sung in standard Italian, ensures accessibility for a wider audience.

The video cleverly incorporates elements that pay homage to Geolier's Neapolitan roots. Quick cuts showcase iconic landmarks of Naples, interspersed with scenes of vibrant street life and passionate football fans. This visual connection grounds the song's bravado in a sense of cultural identity and pride.

"I P' ME, TU P' TE" isn't just a celebration of self; it's also a subtle commentary on the Italian music industry. Geolier, a rapper who hails from the south of Italy, has often spoken about the challenges of breaking into the mainstream scene dominated by artists from the north. The song can be interpreted as a declaration of intent, a statement that southern artists deserve recognition and a platform to express themselves.

While some critics found the song's message derivative of typical braggadocio rap, there's no denying its infectious energy and crowd-pleasing appeal. Geolier's performance at Sanremo was a breath of fresh air, injecting the competition with a dose of contemporary urban flair. "I P' ME, TU P' TE" has become an anthem for those who chase their dreams against all odds, solidifying Geolier's place as a powerful new voice in Italian music.



Geolier - I P’ ME, TU P’ TE (Official Video - Sanremo 2024) - Testo:

Nuij simm doije stell ca stann precipitann
T stai vestenn consapevole ca tia spuglia
Pur o’mal c fa ben insiem io e te
Ciamm sprat e sta p semp insiem io e te
No no no comm s fa
No no no a t scurda
P mo no, no pozz fa
Si ng stiv t’era nvta
A felicità quant cost si e sord na ponn accatta
Agg sprecat tiemp a parla

Nun less pnzat maij
Ca all’inizij ra storij er gia a fin ra storij p nuij
O ciel c sta uardann
E quant chiov e pcchè
Se dispiaciut p me e p te

Piccio mo sta iniziann a chiovr
Simm duij estranei ca s’incontrano
E stev pnzann a tutte le cose che ho fatto
E tutto quello che ho perso, non posso fare nient’altro
I p’me tu p’te
I p’me tu p’te
I p’me tu pe’te

Tu m’intrappl abbraccianm
Pur o riavl er n’angl
Comm m può ama si nun t’am
Comm può vula senz’al, no
È passat tantu tiemp ra l’ultima vot
Ramm natu poc e tiemp p l’ultima vot
No, no no no comm s fa
No no no a t scurda
P mo no, no pozz fa

Nun less pnzat maij
Ca all’inizij ra storij er gia a fin ra storij p nuij
O ciel c sta uardann
E quant chiov e pcchè
Se dispiaciut p me e p te

Piccio mo sta iniziann a chiovr
Simm duij estranei ca s’incontrano
E stev pnzann a tutte le cose che ho fatto
E tutto quello che ho perso, non posso fare nient’altro
I p’me tu p’te
I p’me tu p’te
I p’me tu p’te
I p’me tu p’te
I p’me tu p’te
I p’me tu p’te
I p’me tu p’te
I p’me tu p’te

Sta nott e sul ra nostr,
Si vuo truann a lun a vac a piglia e ta port
E pur si o facess tu nun fuss cuntent
Vuliss te stell, vuless chiu tiemp cu te

Piccio mo sta iniziann a chiovr
Simm duij estranei ca s’incontrano
E stev pnzann a tutte le cose che ho fatto
E tutto quello che ho perso, non posso fare nient'altro
I p’me tu p’te
I p’me tu p’te

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POPULAR SONGS 2024, Top songs, billboard 100, new songs, best songs, trending, charts, love songs, lyrics, letra, lirik lagu, sarki sözleri, Hit Song
Salvadoran rising star Analu Dada offers a tender balm to a wounded heart in her latest single, "Segundo Primer Amor" (Second First Love). The heartwarming ballad explores themes of emotional healing, new beginnings, and the courage to love again after past hurts.

Released in February 2024, the song quickly garnered attention, accumulating over a quarter-million views on YouTube. The accompanying music video, directed by Elena de Guevara, complements the song's message with a montage of couples, friends, and individuals finding joy and connection.

The song opens with Dada's soft vocals acknowledging a past filled with pain. "Sé que te lastimaron antes," she sings (I know they hurt you before), "Sé que el pasado no te ha tratado bien" (I know the past hasn't treated you well). This empathy for the one she loves sets the stage for the message of hope that follows.

Dada assures her partner that they deserve better: "Pero hay mucho por delante" (But there's so much ahead), she continues, "Quiero ser quien te ayude a entender/Que no mereces tanto dolor" (I want to be the one who helps you understand/That you don't deserve so much pain). The metaphor, "Sin agua no florece una flor" (Without water, a flower won't bloom), emphasizes the need for love and compassion to heal.

The core message of the song arrives in the declaration, "Puede que no sea tu primer amor/Pero te prometo que seré el mejor" (I may not be your first love, But I promise I'll be your best). Dada acknowledges that her love may not erase past experiences, but she offers a commitment to a love that is nurturing and supportive.

The chorus emphasizes this dedication: "Quiero darte valor/Darle un nuevo comienzo a tu vida/ Volver a darte color, darte paz interior/Y sanar tus heridas" (I want to give you strength/Give your life a new beginning/Bring back color, give you inner peace/And heal your wounds). Dada positions herself not just as a lover, but as a source of strength and a partner in healing.

The video reinforces this message. Scenes of couples offering comfort, friends sharing laughter, and individuals pursuing passions all paint a picture of a life enriched by love and connection. The vibrant colors and warm tones further underscore the hopeful message.

"Segundo Primer Amor" is a testament to the resilience of the human spirit. Dada acknowledges the pain of past relationships but celebrates the possibility of finding a love that is healing, supportive, and promises a brighter future. The song's gentle melody and heartfelt lyrics offer solace to those who have been hurt and a reminder that love, in its many forms, has the power to mend and make us whole.



Analu Dada - Segundo Primer Amor (Video Oficial) - LETRA

Se que te lastimaron antes
Se que el pasado no te ha tratado bien
Pero hay mucho por delante
Quiero ser quien te ayude a entender

Que no mereces tanto dolor
Sin agua no florece una flor
Puede que no sea tu primer amor
Pero te prometo que será el mejor

Quiero darte valor
Darle un nuevo comienzo a tu vida
Volver a darte color,
darte paz interior
Y sanar tus heridas

Puedo hacerlo mejor
Voy a ser la que te cuida
Quiero ser la semilla
Que crezca contigo
Pa’ toda la vida

Volver a renacer
Juntos los dos
Ser tu segundo primer amor

Se que no es fácil volver a creer
Volver a confiar aunque pueda doler
Amar es un juego’e ganar y perder
Pero vale la pena arriesgarse otra vez

Abrir la puerta de tu corazón
Es tu decisión, pa’ dejar salir lo que ya dolió
Y dejarme entrar, Quiero ser la luz de tu vida

Quiero darte valor
Darle un nuevo comienzo a tu vida
Volver a darte color,
darte paz interior
Y sanar tus heridas

Puedo hacerlo mejor
Voy a ser la que te cuida
Quiero ser la semilla
que crezca contigo
Pa toda la vida

Volver a renacer
Juntos los dos
Ser tu segundo primer amor

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POPULAR SONGS 2024, Top songs, billboard 100, new songs, best songs, trending, charts, love songs, lyrics, letra, lirik lagu, sarki sözleri, Hit Song
Jack Black and Kyle Gass, the comedic rock duo known as Tenacious D, have delivered a surprise hit with their cover of Britney Spears' iconic "...Baby One More Time." The song appears on the closing credits of the highly anticipated Kung Fu Panda 4 and is accompanied by a hilarious music video featuring the film's star-studded cast.

This isn't your typical "...Baby One More Time." Tenacious D injects their signature brand of humor and rock energy into the song, transforming it from a pop ballad into a full-blown rock anthem. The opening guitar riff is heavy and distorted, a stark contrast to the original's delicate piano melody. Black's vocals are a blend of his signature raspy yell and a surprisingly decent attempt at channeling Britney's breathy delivery. The lyrics remain mostly intact, but Black throws in a few comedic twists, replacing lines like "My loneliness is killing me" with "My dragon loneliness is killing me" in a nod to the film's setting.

The official music video takes the absurdity to a whole new level. Shot on the red carpet of the Kung Fu Panda 4 premiere, the video features Black and Gass rocking out alongside the film's voice cast, including Angelina Jolie, Jackie Chan, Seth Rogen, and Lucy Liu. We see celebrity cameos, playful dance moves, and Black even raises his fist to reveal the word "BABY" written across his fingers in a display of tongue-in-cheek affection for the song. It's a chaotic, hilarious spectacle that perfectly captures the band's comedic spirit.

While the cover is undeniably lighthearted, there's a sense of respect for the original song. Black, a longtime fan of Britney Spears, has spoken openly about his admiration for her music. This cover feels like a playful homage rather than a mockery. It's a chance for Tenacious D to have fun with a classic pop song while simultaneously introducing it to a whole new generation of listeners.

The release of "...Baby One More Time" has sparked a wave of online discussion. Fans are loving the unexpected cover, praising Tenacious D's comedic energy and Black's surprisingly decent vocals. The video has gone viral, with social media buzzing about the absurdity and the surprising celebrity cameos.

Some fans have even speculated on the potential for a full Tenacious D covers album. While there's been no official confirmation, the success of "...Baby One More Time" suggests that there might be an audience for Black and Gass' unique take on classic pop hits.

One thing's for sure: Tenacious D has once again managed to surprise and entertain their audience. Their "...Baby One More Time" cover is a hilarious and unexpected treat, a perfect example of the band's ability to blend rock energy, crude humor, and genuine love for music. Whether it leads to a full covers album or remains a standalone novelty, this cover is sure to be a fan favorite for years to come.

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POPULAR SONGS 2024, Top songs, billboard 100, new songs, best songs, trending, charts, love songs, lyrics, letra, lirik lagu, sarki sözleri, Hit Song
Mexican heartthrob Carlos Rivera and Dominican bachata king Prince Royce have teamed up for a sizzling new single, "Calumnia" (meaning "Slander"). This infectious bachata anthem combines the undeniable charm of both artists, offering a dance-floor ready celebration of love and resilience.

"Calumnia" opens with a classic bachata rhythm – a gentle guitar line and a driving beat instantly create a sensual atmosphere. Rivera takes the lead, his smooth vocals oozing confidence as he addresses rumors and negativity surrounding his relationship. Lines like "Ya sé que andan diciendo por ahí que soy un tipo / Complicado que me hace en fama de vivir regando amor por todos lados" (I know what they're saying out there, that I'm a complicated guy / With a reputation for spreading love everywhere) playfully acknowledge the gossip, while the following lines, "Ya estoy acostumbrado que no soporten mi legado / Porque perderme entre unos labios es el mejor de mis pecados" (I'm used to them not being able to stand my legacy / Because getting lost between someone's lips is the best of my sins) exude a sense of defiance and unwavering commitment to his love.

Prince Royce enters the track midway through, his signature baritone adding another layer of richness to the song. His verse echoes Rivera's sentiments, emphasizing the strength of their bond and dismissing the negativity. The chorus explodes with infectious energy, a declaration of unwavering love in the face of doubt. Lines like "Nadie te puede decir mi vida que no te amo / Porque sería una mentira una calumnia un engaño" (No one can tell you, my love, that I don't love you / Because that would be a lie, a slander, a deception) showcase their unwavering commitment.

The accompanying music video, directed by Daniel Duran, perfectly complements the song's upbeat and romantic spirit. We see Rivera and Royce performing against the backdrop of a vibrant cityscape, their charismatic stage presence undeniable. Intercut with these performance shots are scenes depicting a passionate love story, with a couple sharing stolen glances, romantic walks, and tender embraces. The video's visuals reinforce the song's central message – that true love can overcome any obstacle.

"Calumnia" marks a significant collaboration for both artists. Rivera, known for his pop sensibilities, ventures deeper into the world of bachata with this release. Royce, on the other hand, injects his signature romantic charm into a song that resonates with Rivera's personal style. The result is a captivating blend of musical styles that is sure to appeal to fans of both artists and bachata enthusiasts alike.

"Calumnia" is a testament to the power of collaboration. It combines the talents of two renowned Latin artists, resulting in a song that is both catchy and emotionally resonant. The song's upbeat tempo and positive message are sure to make it a hit on dance floors worldwide.



Letra

Ya sé que andan diciendo por ahí
Que soy un tipo complicado
Que me hacen fama de vivir
Regando amor por todos lados

Mi amor, ya estoy acostumbrado
Que no soporten mi legado
Porque perderme entre unos labios
Es el mejor de mis pecados, pero

Nadie te puede decir,
Mi vida, que no te amo
Porque sería una mentira
Una calumnia, un engaño

Y no voy a permitir
Que nadie ensucie mis manos
Las que acarician tu cara,
Las que han llenado tu espacio

No lo voy a permitir
No, no

Por más que intente, mi amor
Confundirte, eso no tiene sentido
Si mejor que nadie ya tú me conoces
Sabes que muero contigo

Yo no soy perfecto, sé bien que he fallado
Pero qué no haría por tenerte a mi lado
Y me digo cada día
Qué suerte haberte encontrado

Nadie te puede decir, mi vida
Que no te amo
Porque sería mentira
Una calumnia, un engaño

Y no voy a permitir
Que nadie ensucie mis manos
Las que acarician tu cara
Las que han llenado tu espacio
No lo voy a permitir

Prince Royce

Nadie te puede decir
(Te puede decir)
Mi vida, que no te amo
Porque sería una mentira
Una calumnia, un engaño

Y no voy a permitir
Que nadie ensucie mis manos
Las que acarician tu cara
Las que han llenado tu espacio
No lo voy a permitir

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POPULAR SONGS 2024, Top songs, billboard 100, new songs, best songs, trending, charts, love songs, lyrics, letra, lirik lagu, sarki sözleri, Hit Song
Puerto Rican rising star Young Miko is back with a bang! Her new single, "curita" (meaning "band-aid" in Spanish), is a melodic and energetic reggaeton track that serves as the lead single for her upcoming sophomore album, "att."

"curita" opens with a smooth, infectious beat that instantly sets the mood for a party. Miko's vocals seamlessly blend rapping and melodic singing, showcasing her versatility as an artist. The lyrics, delivered in Spanish, celebrate the allure of a captivating female muse. Lines like "Y me dices y de una me pongo pal tri" (You say it and I'm down for whatever) and "Estás dejando a to' el mundo loco, mami" (You're driving everyone crazy, mommy) exude confidence and a playful sense of attraction.

The accompanying music video, directed by Joshua Rivera, perfectly complements the song's vibrant energy. We see Miko rocking a series of stylish outfits, commanding attention with her charisma and self-assured swagger. Intercut with these performance shots are scenes of a bustling party, where people dance and celebrate, further emphasizing the song's infectious energy.

There's a subtle theme of self-healing woven into the lyrics. The title "curita" (band-aid) can be interpreted as a metaphor for emotional recovery. Lines like "Te tengo en mute las voces" (I've muted the voices) suggest a move towards emotional independence and self-reliance. Perhaps the captivating woman Miko sings about represents a source of strength and confidence that helps her overcome past hurts.

"curita" is a significant departure from Miko's debut project, "TRAP KITTY," which showcased a more aggressive and trap-influenced sound. This new single leans more towards melodic reggaeton, highlighting Miko's ability to evolve as an artist and explore different sonic territories. It's a song that's sure to appeal to fans of the genre and newcomers alike.



Lyrics:

que no se note
gafas oscuras pa cuando ella venga explote
ella sabe que estoy esperándola la la la
apunto de llegar
dijo hola ¿qué tal?
abre que voy a entrar

sé que estás dejá y por eso vine
cuando llamaste
hoy yo voy a hacer que tu la olvides
tu solo dime
si tú la máquina me sigues
sola conmigo
yo voy a hacer que tu la olvides

hace rato no te veo
por eso llamé
sé que si voy y te pruebo
de todo me olvidé

dicen que eres mala pa mi no te conocen
contigo yo muteo las voces
tu eres cara y yo gasto los thousand
la más buscada en mi browser

si te vas conmigo pues hacemos un all nighter
tu mi musa ghost writer
se acordó de mi sin reminder
un besito más y me quedo sin aire

Estamos tu y yo y tu amiga Hennessy
Tu me dices y de una me pongo pal tri
Tienes la culpa de que sea tan freak
Hay que aterrizar pero esta bueno el trip
Esa es mi nena esa es mi cuki cuki
La saco a pasear y rápido to el mundo looking
La quiero en mi cara como los tatuaje de duki
La llevo pa cali la llevo pa brooklyn

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POPULAR SONGS 2024, Top songs, billboard 100, new songs, best songs, trending, charts, love songs, lyrics, letra, lirik lagu, sarki sözleri, Hit Song
Acclaimed Mexican band Grupo Frontera joins forces with chart-topping artist Christian Nodal for the infectious new single "Ya Pedo Quién Sabe" (meaning "Who Knows, Maybe I'm Drunk"). This high-energy collaboration blends the signature accordion-driven sound of Grupo Frontera with Nodal's soulful vocals, resulting in a party anthem fueled by tequila and the allure of a past love.

The song opens with a classic Grupo Frontera flourish – a lively accordion riff sets the mood for a celebration. The driving beat and infectious melody instantly grab the listener's attention. Nodal enters the track midway through, his smooth vocals adding a layer of romantic tension to the upbeat sound.

The lyrics, though delivered in Spanish slang, paint a picture of a man wrestling with conflicting emotions. Lines like "Si ando bueno y sano / Alguien me pregunta si volvería a tu lado / Obvio les digo que no / Que no repito ese error" (If I'm feeling good and healthy / Someone asks me if I'd return to your side / Obviously I tell them no / I won't repeat that mistake) showcase his initial resolve to stay away from a past love.

However, the song takes a turn as the tequila starts flowing. Lines like "Ya pedo quien sabe / En una de esas tal vez te llame" (Who knows, maybe I'm drunk / In one of those moments maybe I'll call you) and "Y es que con unos tequilas encima / Te extraño aquí encima" (And with a few tequilas on top / I miss you on top of me) reveal a vulnerability that contradicts his previous statements. The alcohol loosens his inhibitions, making him question his resolve and yearn for the forbidden.

The accompanying music video perfectly captures the song's playful and slightly intoxicated energy. We see scenes of Grupo Frontera performing on a brightly lit stage, their infectious energy spilling over to the audience. Nodal joins them for his verse, adding a touch of charisma to the performance. Intercut with these performance shots are comedic vignettes depicting the protagonist's internal struggle. He tries to resist temptation but ultimately finds himself reaching for his phone, hinting at a potential drunken call to his ex.

"Ya Pedo Quién Sabe" is a relatable anthem for anyone who has ever made questionable decisions under the influence. The song's catchy melody and humorous video make light of a situation many can identify with. It's a testament to the collaborative power of Grupo Frontera and Christian Nodal, showcasing their ability to blend musical styles and create a song that's both fun and thought-provoking.



LETRA:

Si ando bueno y sano
Alguien me pregunta si volvería a tu lado
Obvio les digo que no
Que no repito ese error

Pero ya pedo quién sabe
En una de esas tal vez te llame
Y es que con unos tequilas encima
Te extraño aquí encima
Y eso tú lo sabes

Pero ya pedo quién sabe
Puede que me anden faltando tus besos
y que te comente un corazón roto
en tu última foto esperando un regreso

Tú aquí en mi cama no cabes
Pero ya pedo quién sabe

Tendría que estar bien borracho
y tú con un chingo de suerte
Pa que olvide mi corazón el daño que le hizo quererte
La herida nomás no se quita
Ni porque le puse un curita
Te quisiera ir a buscar pero no ando pedo ahorita

Si no tomo ni te tomo en cuenta
no sé si ya te habías dado cuenta
Que aquella vez que te hablé en julio
Fue porque tomé un Don Julio
Bueno y sano no te amo

Pero ya pedo quién sabe
En una de esas tal vez te llame
Y es que con unos tequilas encima
Te extraño aquí encima
Y eso tú lo sabes

Pero ya pedo quién sabe
Puede que me anden faltando tus besos
y que te comente un corazón roto
en tu última foto esperando un regreso

Tú aquí en mi cama no cabes
Pero ya pedo quién sabe

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Ariana Grande delves into the emotional turmoil of a complicated relationship in her latest music video for "we can't be friends (wait for your love)." The song, a standout track from her critically acclaimed album "positions," explores the struggles of maintaining a friendship with someone you still harbor romantic feelings for.

The video opens with a scene of Grande walking through a desolate cityscape, reflecting the emotional distance she feels from the object of her affection. She's dressed in all black, a stark contrast to the vibrant colors often used in her visuals. This somber mood sets the tone for the song's introspective lyrics.

As the song progresses, we see flashbacks depicting happier times in the relationship. Grainy home videos show moments of laughter, shared secrets, and stolen glances. These scenes are juxtaposed with shots of Grande alone in her apartment, lost in thought. The contrast between past and present emphasizes the bittersweet nature of the situation.

The lyrics grapple with the complexities of unrequited love and the blurred lines between friendship and something more. Lines like "Wish I could write you out of every song" and "But you're the only thing I think about at night" capture the internal conflict of wanting to move on while still being emotionally attached. The song's title, "we can't be friends (wait for your love)," perfectly encapsulates this dilemma.

Despite the melancholic undertones, there's a glimmer of hope throughout the video. In one scene, Grande writes in a journal, seemingly processing her emotions and finding strength within herself. The final scene shows her walking back through the cityscape, but this time, the sky is brighter, and there's a hint of a smile on her lips. This subtle shift suggests a journey towards self-discovery and acceptance.

The video's aesthetic is minimalistic yet impactful. The focus remains on Grande's expressive performance and the raw emotions conveyed in the lyrics. The color palette, dominated by muted tones and bursts of black and white, reflects the introspective nature of the song.

"we can't be friends (wait for your love)" is a relatable anthem for anyone who has ever been stuck in a friend zone. Grande's powerful vocals and honest lyrics resonate with listeners who understand the challenges of navigating complex emotions. The accompanying music video, with its melancholic beauty and hopeful conclusion, offers a visual representation of the song's themes, leaving a lasting impression long after the final note fades.



Official “we can’t be friends (wait for your love)” Lyrics:

i didn’t think you’d understand me how could you ever even try
i don’t want to tiptoe
but i don’t wanna hide
but i don’t want to feed this monstrous fire
just want to let this story die and i’ll be alright
we can’t be friends
but i’d like to just pretend
you cling to your papers and pens wait until you like me again
wait for your love
love
i'll want for your love
me and my truth we sit in silence baby girl it’s just me and you cause i don’t wanna argue
but i don’t wanna bite
my tongue yeah i think i'd rather die
you got me misunderstood but at least i look this good
we can’t be friends
but i’d like to just pretend
you cling to your papers and pens wait until you like me again
wait for your love
love
i'll want for your love
know that you made me
i don’t like how you paint me yet i’m still here hanging
not what you made me something like a daydream but i feel so seen in the night so for now it’s only me
and maybe that’s all i need
we can’t be friends
but i’d like to just pretend
you cling to your papers and pens wait until you like me again
wait for your love
love
i'll want for your love

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Naina | Crew | Diljit Dosanjh, Ft. Badshah | Kareena Kapoor Khan, Tabu, Kriti Sanon | Raj Ranjodh

Tu Nasha Nasha Ni Mai Jaan Tere To Vaari
Meri Khud Se Badi Duri
Bas Teri Hai Jee Hazoori
Zamaan Kya He Samjhega
Dil Gawana Kyu Zaroori
(Haye Haye)

Naina Da Kehna
Ni Asi Tera Mukhda Dekhte Rehna Ni
Tu Te Meri Haina
Ishq De Ittar Rooh Ton Lehna Ni
Naina Da Kehna
Ni Asi Tera Mukhda Dekhte Rehna Ni
Tu Te Meri Haina
Ishq De Ittar Rooh Ton Lehna Ni

Naina Da Kehna
Paaji Mai Kya Keh Raha Tha Ki
Tere Aage Kya Hi Farmaaye
Banke Nasha Tu Ek Sar Chadh Jaye
Bas Fir Tu Hi Udaye
Tu Hi Giraye
Kholke Rakhde
Tu Meri Third Eye Haye Haye
Kaise Kahun Kya Main Karun Feel
Tujhe Nahi Pata Ke Tu Kare Mujhe Heel
Mujhe Jab Hath Lagaye
Paas Tu Aaye

Mera Sarr Ghoome Aisa Kya He Kardu Mai
Baby Youre A Mood Mood Mood
Baby Youre A Vibe Vibe Vibe
Uski Adaayein Dayein Bayein
Kaise Samjhayein Haye Haye
You Could Bring Your Crew Crew Crew
Take It To The Sky Sky Sky

Jo Na Karna Chahun
Mujhse To Wo Hi Karaaye Hai Haye
Naina Da Kehna
Ni Asi Tera Mukhda Dekhte Rehna Ni
Tu Te Meri Haina
Ishq De Ittar Rooh Ton Lehna Ni

Naina Da Kehna
Ni Asi Tera Mukhda Dekhte Rehna Ni
Tu Te Meri Haina
Ishq De Ittar Rooh Ton Lehna Ni
Naina Da Kehna
Oh Aaj Tu Bata De Mujhe Sab Soniye
Dinner Pe Leke Chalu Kab Soniye
Patli Kamar Baby
Mai Tera Lover Baby

Mujhse Bachale Tuhhe Rabb Soniye
Tujhko Pata Hai
Nasha Hai
Ishq Bala Hai Sohniae
Mujhko Hua Hai
Saza Hai
Thora Maza Hai
Soniye
Tera Hoke Mar Jaawani
Mai Ki Jag Toh Lehna Ni

Naina Da Kehna
Ni Asi Tera Mukhda Dekhte Rehna Ni
Tu Te Meri Haina
Ishq De Ittar Rooh Ton Lehna Ni

Naina Da Kehna
Ni Asi Tera Mukhda Dekhte Rehna Ni
Tu Te Meri Haina
Ishq De Ittar Rooh Ton Lehna Ni
Naina Da Kehna
Naina Da Khena

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Icelandic singer-songwriter Laufey sheds her vulnerability and embraces her strength in her latest single, "Goddess." The song, accompanied by a lyric video, is a powerful declaration of self-worth and a departure from the whimsical charm of her previous work.

"Goddess" opens with a stripped-down piano melody, setting the stage for Laufey's emotive vocals. The lyrics paint a picture of a past relationship where she felt unseen and undervalued. Lines like "Off to the skin and bone, I can't even tell who you want to know" reveal a sense of insecurity and a yearning to be truly recognized.

As the song progresses, there's a subtle shift in tone. The piano is joined by a gentle drumbeat and ethereal backing vocals, creating a sense of building confidence. Laufey sings, "I'm a goddess on stage, human when we're in your range," highlighting the contrast between her public persona and the vulnerability she experienced in the relationship.

The chorus explodes with empowering energy. Laufey declares, "You must have felt threatened, woke up with me instead. You must have felt something different, lying next to a goddess in bed." The lyrics suggest a newfound understanding of her own worth. She's no longer seeking validation from someone who couldn't see her true potential.

The lyric video reinforces the song's message of self-discovery. Throughout the video, we see images of a woman transforming. She starts out shrouded in darkness, but as the song progresses, light begins to break through. By the end, she stands bathed in golden light, a symbol of her newfound confidence and self-acceptance.

"Goddess" is a departure from Laufey's earlier work, which often explored themes of youthful romance and bittersweet nostalgia. This song marks a step towards artistic maturity, showcasing her ability to delve into deeper emotions. It's a relatable anthem for anyone who has ever felt undervalued or unseen.

The beauty of "Goddess" lies in its simplicity. The stripped-down arrangement allows Laufey's vocals to take center stage. Her powerful delivery and nuanced emotions shine through in every note. The song is a testament to the transformative power of self-belief and a reminder that we all have the potential to be our own goddesses.



Lyrics:

It always goes like this
Could’ve predicted it
I’m so naive to think you loved me for me
Kissed as I ran off stage
You’re too old to play this game
Guess you’re still growing up at thirty

Were you surprised by me?
When you took me home
When the glamor wore off
Reduced to skin and bone
I can’t even tell
Who you want to know
I’m a goddess on stage
Human when we’re alone

You took a star to bed
Woke up with me instead
You must have felt so damn deceived
When you
Made up version of
Me that you thought you’d love
But I am not your Aphrodite

Were you surprised by me?
When you took me home
When the glamor wore off
Reduced to skin and bone
I can’t even tell
Who you want to know
I’m a goddess on stage
And human when we’re alone

You took me for a fool
You stole my youth
You wanted this so much
You watched me rise
Then killed my light
And now you know
I’m not your fucking goddess

I’m no goddess when I’m alone

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In 2023, Nigerian music fans experienced a bittersweet moment with the release of "Egwu" (meaning "dance" in Igbo) by Chike and the late Mohbad. The song, initially intended as a collaboration, became a posthumous tribute to Mohbad, who died tragically shortly before its release. The accompanying music video masterfully combines vibrant visuals, celebratory dance routines, and emotional storytelling, creating a unique tribute that honors Mohbad's legacy while celebrating the unifying power of music.

A Fusion of Styles:

"Egwu" blends Chike's signature soulful vocals with Mohbad's energetic street rap style. This fusion creates a dynamic soundscape that seamlessly transitions between heartfelt verses and infectious rap verses. The song's vibrant rhythm invites listeners to move their bodies, embodying the title's meaning of "dance."

Beyond the Celebration:

While the music video initially appears to be a joyful celebration of life and music, a deeper layer of emotion is woven into the narrative. Throughout the video, interspersed with scenes of vibrant dance routines and colorful costumes, are glimpses of Mohbad. These subtle inclusions serve as a constant reminder of his absence and add a layer of bittersweetness to the celebration.

Honoring a Legacy:

Chike's performance in the video is particularly poignant. He delivers his vocals with a palpable sense of emotion, showcasing his respect and admiration for his departed friend. The video doesn't shy away from acknowledging the loss, but rather chooses to celebrate Mohbad's life and talent through the unifying spirit of music.

A Vibrant Tapestry of Dance:

The music video features diverse groups of dancers showcasing various styles, from energetic Afrobeats moves to traditional Nigerian dances. This visual representation of cultural unity reflects the unifying power of music, which transcends language, background, and even the boundaries of life and death.

More Than Just a Tribute:

"Egwu" is more than just a posthumous tribute; it's a celebration of life, music, and the enduring power of human connection. The song and video offer solace and comfort to grieving fans while simultaneously reminding us of the joy and community fostered by music.

A Song of Legacy:

Through "Egwu," Chike and Mohbad leave a lasting legacy. The song serves as a testament to their friendship and shared passion for music. It also offers a message of resilience and the importance of cherishing life and the connections we forge along the way.



LYRICS:

Imolenization
Chike fun won ni pressure
Street orientation
Imolenization
Fun won ni pressure


Aiye iye
Aiye iye
Aiye iye, Aiye
Uhh uhh
Uhh uhh
Uhh uhh, uhh uhh

All my niggas sha pro pro
All my niggas sha pra pra
Cover face like Lagbaja
Get fila but we no dey cap
TikTok boys dem tap tap tap
Pastor do shira ba ba ba
Omo ijo raba ba ba
Feeling good paran ran
Music no need permission to enter your spirit
Anywhere, anyhow you know say you go feel me
Music no need permission to enter your spirit
Anywhere, anyhow you know say you go feel me

Aiye iye
Aiye iye
Aiye iye, Aiye
Uhh uhh
Uhh uhh
Uhh uhh, uhh uhh

Awilo Longomba
Egwu Chiké atọ ka kwa
Mohbad mi dikwa bad
We living like no other
Egwu anyị ana kwa ajụ kwa ajụ
Nya bido bawa gi ime
I no fit talk am you go know
Feeling good paran ran

Aiye iye
Aiye iye
Aiye iye, Aiye
(Music no need permission to enter your spirit)
Uhh uhh
Uhh uhh
Uhh uhh, uhh uhh

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DAESUNG, a member of the iconic K-Pop group BIGBANG, embarked on a solo journey in 2024 with the release of his single "Falling Slowly." The accompanying music video, directed by Hong Jong Chan, goes beyond showcasing captivating visuals and synchronized dance routines. It delves into themes of internal rediscovery, the power of connection, and the gradual blossoming of self-worth. Through symbolic imagery, heartfelt lyrics, and DAESUNG's passionate performance, the video unfolds a multi-layered narrative that resonates with viewers seeking personal growth and meaningful bonds.

**A World of Potential:**

The video opens with DAESUNG standing alone in a vast, dimly lit space. This initial setting symbolizes a state of uncertainty and a lack of direction, mirroring the introspective nature of the song. As the video progresses, subtle changes occur in the environment. Light begins to permeate the space, with rays gradually illuminating the previously obscured areas. This visual shift reflects DAESUNG's journey of self-discovery, highlighting the gradual awakening of his inner potential.

**Embracing Individuality:**

Throughout the video, DAESUNG navigates diverse settings, each representing a unique facet of his personality. He interacts with various objects and environments, showcasing his artistic depth and multifaceted talents. This focus on individuality challenges the K-Pop industry's tendency to prioritize group uniformity and empowers DAESUNG to express his unique artistic vision.

**The Power of Connection:**

Despite his personal journey, the video repeatedly emphasizes the importance of connection and community. Throughout the video, fleeting glimpses of bustling cityscapes and diverse individuals are interspersed within DAESUNG's scenes. This subtle inclusion serves as a reminder that even amidst individual journeys, we are all connected by shared experiences and the human desire for belonging.

**Beyond the Surface:**

The song's lyrics further reinforce the themes of self-discovery and connection. Lines like "Oh, you're the reason for this song, shine with me" and "Together, we'll fly to the ends of the sky" highlight the importance of finding purpose and strength through meaningful connections. By singing directly to an unseen figure, DAESUNG personalizes the message, inviting viewers to reflect on their own connections and the impact they have on others.

**A Visually Striking Journey:**

The music video utilizes various visual elements to enhance the narrative's emotional impact. The use of soft, warm light symbolizes hope, growth, and the gradual blossoming of self-worth. The contrast between light and shadow serves as a metaphor for the internal struggles and triumphs experienced during self-discovery. These elements, combined with DAESUNG's passionate performance, create a visually striking and emotionally resonant experience for viewers.

**More Than Just a Music Video:**

DAESUNG's "Falling Slowly" music video is more than just a promotional tool for a song. It serves as a visual representation of his journey of self-discovery, highlighting the importance of embracing individuality while fostering meaningful connections. The video resonates with viewers seeking personal growth, encouraging them to explore their own unique paths and find strength in the power of connection.



[SONG]

LYRICS BY DAESUNG, AHN JONG SUK (KIT)
COMPOSED BY AHN JONG SUK (KIT)
ARRANGED BY AHN JONG SUK (KIT)

CHORUS BY AHN JONG SUK (KIT)
PIANO BY AHN JONG SUK (KIT)
BASS BY LEE KYUNG JUN
GUITARS BY LEE KYUNG JUN
DRUM BY AHN JONG SUK (KIT)

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Brent Faiyaz - WY@ [Official Music Video] - Lyrics:

I be doing sh*t I really shouldn’t do forreal
That why I always tell you come through forreal
After this time I’ll be through forreal

You and I know you ain't no good for me
But you feel so good to me
Everytime I come back I try to leave
So how you end up back with me
(I don't know)
This ain't what I want
This is something else
Something that ain't good for my health
And I been searching but I cant get no help
And I don't feel like myself

I be doing shit I really shouldn’t do forreal
That why I always tell you come through forreal
After this time I’ll be through forreal
After this time I’ll be through forreal

I be doing sh*t I really shouldn’t do forreal
That why I always tell you come through forreal
(WY@)
After this time I’ll be through forreal
(Bring me that)
After this time I’ll be through forreal

I can feel them walls closing
I can feel it all
I’m stuck in your claws
Try to run but I don’t get far
Imma put some blame on me
Tryna take accountability
But you take on my ability
You're the death of me
And the remedy
I be doing too much

I be doing sh*t I really shouldn’t do forreal
That why I always tell you come through forreal
After this time I’ll be through forreal
After this time I’ll be through forreal

I be doing sh*t I really shouldn’t do forreal
That why I always tell you come through forreal
Baby WY@
After this time I’ll be through forreal
Bring me that
After this time I’ll be through forreal

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Lo Que Ella Necesita - Luis Alfonso x Jessi Uribe | Video Oficial - LETRA

Cansada de que le haga tanto daño
hasta en su propia casa
ella lo veo como un extraño
cansada de que él siga tanta grilla
la güeva ni la nota
cuando ella se le maquilla
la cosa no está sencilla.

¡Y dímelo batero!

Lo que ella necesita
es que le pare bolas
y la vuelva a ver bonita
ella no quiere joyas
ni camionetas bonitas
Ella no quiere un peso
solo besos y caricias.

Lo que ella necesita
es que le pare bolas
y la vuelva a ver bonita
ella no quiere joyas
ni camionetas bonitas
lo que ella quiere es tiempo
porque la vida es cortita.

¡Ella solo quiere que la quiera señorazo!

¿Y qué fue lo que le faltó señorazo?

Le faltaron pantalones
la tenía descuidada
por pensar en los millones
pensó que la hacía feliz
con darle Rolex y tacones
y ella sigue despechada
y ella sigue despechada
con tequila y con canciones.

Lo que ella necesita
es que le pare bolas
y la vuelva a ver bonita
ella no quiere joyas
ni camionetas bonitas
Ella no quiere un peso
solo besos y caricias.

Lo que ella necesita
es que le pare bolas
y la vuelva a ver bonita
ella no quiere joyas
ni camionetas bonitas
lo que ella pide es tiempo
porque la vida es cortita,
porque la vida es cortita.

Luis Alfonso x Jessi Uribe.

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Nemam nemam nemam ja Nemam mira nemam sna Ne da noć da dođe dan Teško onom ko je sam K'o pod vodom tiho je sve Vrištim al se ne čuje Iza gora beli sjaj Ja ne nazirem kraj Ovo put je za ranjene A nema ko da vodi me Do svetle zvezde Danice Gori svet, svaki cvet Gde su nestale lila ramonde Lila ramonda Lila ramonda Lila ramonda Lila ramonda Ramonda Lila ramonda Lila ramonda Lila ramonda I nema ko da vodi me Jer zvezde sve su zaspale Ne pomažu ni molitve Gde su nestale lila ramonde Lila ramonda Lila ramonda Lila ramonda Lila ramonda Lila ramonda Lila ramonda Lila ramonda Lila ramonda Ramonda Lila ramonda Lila ramonda Lila ramonda Diže se iz pepela Jedna lila ramonda
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POPULAR SONGS 2024, Top songs, billboard 100, new songs, best songs, trending, charts, love songs, lyrics, letra, lirik lagu, sarki sözleri, Hit Song
Cardi B's 2023 single "Like What (Freestyle)" wasn't originally intended for release. However, it quickly transformed from a casual freestyle into a global phenomenon, captivating audiences with its infectious energy, unfiltered lyrics, and unapologetic celebration of female confidence. The song and its accompanying music video offer more than catchy rhymes; they delve into themes of self-worth, financial independence, and defying societal expectations of women.

From Studio Session to Chart-Topping Hit:

"Like What" originated as an impromptu freestyle during a studio session. Cardi B's raw confidence and effortless flow resonated with producers, who recognized its potential and decided to release it as a single. This organic creation process adds authenticity to the song, as Cardi B raps directly from her experiences and unfiltered emotions.

Owning Her Narrative:

The song's lyrics showcase Cardi B's unapologetic approach to self-expression. Lines like "Got my own money, ain't no need for a sponsor" and "I put it on the ground for even hit theore" celebrate her financial independence and challenge the stereotypical portrayal of women as reliant on men. This message of self-reliance and financial empowerment resonates with women who strive to break free from societal expectations and define their own success.

Beyond the Surface:

While the song initially appears to focus on material possessions and physical appearance, it also delves deeper. Lines like "Looking this good is really exhausting" and "Never took a loss, never been a host" hint at the struggles and relentless work ethic behind Cardi B's success. This vulnerability adds depth to the song, acknowledging the effort and sacrifices required to achieve her level of success.

A Visually Striking Celebration:

The music video, directed by Julien Christian Lutz, further amplifies the song's message. Vibrant colors, bold fashion choices, and diverse dancers create a visually captivating experience that celebrates individuality and female empowerment. The video also showcases Cardi B's confidence and playful personality, further solidifying her connection with the audience.

A Cultural Phenomenon:

"Like What (Freestyle)" transcended the boundaries of a typical song. It became a cultural phenomenon, inspiring memes, dance challenges, and empowering conversations about female confidence and financial independence. The song's organic rise and unfiltered message resonated with a global audience, particularly women seeking anthems that celebrate their individuality and challenge societal expectations.

More Than Just a Song:

"Like What (Freestyle)" is more than just a catchy song; it's a cultural touchstone. It represents the power of authenticity, female empowerment, and the ability to turn a casual freestyle session into a global phenomenon. Cardi B's unapologetic approach to self-expression and her celebration of female success continue to inspire and empower audiences worldwide.

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POPULAR SONGS 2024, Top songs, billboard 100, new songs, best songs, trending, charts, love songs, lyrics, letra, lirik lagu, sarki sözleri, Hit Song
The 2023 collaboration between Argentinian pop star Maria Becerra and reggaeton queen Ivy Queen, "PRIMER AVISO" (First Notice), sparks conversation beyond its catchy beat and vibrant visuals. The song delves into themes of female empowerment, self-confidence, and navigating the complexities of the music industry. Through their contrasting styles and bold lyrics, the artists create a powerful anthem that celebrates female agency and challenges traditional gender norms within the Latin music scene.

A Fusion of Styles and Generations:

"PRIMER AVISO" seamlessly blends the youthful energy of Maria Becerra with the established power of Ivy Queen. Becerra's signature pop melodies intertwine with Ivy Queen's characteristic reggaeton flow, creating a dynamic soundscape that celebrates their unique styles and paves the way for intergenerational collaboration within the Latin music world.

Beyond the "Damsel in Distress" Trope:

The lyrics challenge traditional portrayals of women in music videos, particularly within the reggaeton genre. Lines like "Yo hago lo que yo quiera, nadie me controla" (I do what I want, nobody controls me) and "Soy la más dura, yo tengo la corona" (I'm the toughest, I have the crown) showcase the artists' unwavering self-confidence and refusal to conform to stereotypical expectations of femininity. This message of female empowerment resonates with listeners seeking anthems that celebrate female agency and challenge traditional gender roles.

Navigating the Industry:

The song also delves into the complexities of navigating the music industry, particularly for female artists. Lines like "Ellos me juzgan por lo que visto, no por lo que escribo" (They judge me for what I wear, not for what I write) and "Dicen que soy atrevida, pero también soy divina" (They say I'm bold, but I am also divine) highlight the double standards and challenges faced by women in the industry. By openly addressing these issues, the artists challenge societal perceptions and pave the way for open conversations about gender equality in the music world.

A Vibrant Visual Narrative:

The music video, directed by Luis Lora, further amplifies the song's message. The artists are presented in powerful and stylish visuals, defying traditional notions of femininity and embracing their individual aesthetics. The video also features diverse female dancers and musicians, showcasing a sense of solidarity and community among women in the music industry.

A Spark for Conversation:

"PRIMER AVISO" has sparked conversation about female empowerment, navigating the music industry, and the importance of intergenerational collaboration within the Latin music scene. The song's empowering message and fusion of styles resonate with a global audience, inspiring women to embrace their individuality and challenge societal expectations.

More Than Just a Song:

"PRIMER AVISO" transcends the boundaries of a typical pop song. It serves as a powerful anthem for female empowerment, challenging traditional gender norms and paving the way for open conversations about equality within the music industry. Through their collaboration, Maria Becerra and Ivy Queen create a lasting impact, inspiring future generations of female artists to embrace their voices and break down barriers.



LETRA/LYRICS - ESPAÑOL

Primer Aviso
You hear, let´s go
¿Qué pasa Ivy?

Mano’ arriba que llegó la Mari
El conurbano está prendiendo el party
Vo’ sabe mami como dijo el Daddy
Dale go dale go sibiri go go go
(X2)

You know
Dale, dale tira rumba
Lady lady

Yo me busqué lo mio
Y ustedes tan dolios
Será porque despiertan y siguen abajo mio
Con los míos siempre fui leal
Los caretas la verdad me dan igual

Voy de deportivo a los lugares más finos
Y en todos los barrios se vacilan temas mios
Me tiran por whatsapp
Pa’ ¿Qué pasó? Quieren colaborar después que el tema se pegó

Decime que se siente que me mandes a bajar
De to’ los festivales pero me llamen igual
No me extraña de ustedes ese boicot barato
Si los tengo pisados hace rato

Manos arriba la Queen con la Mari
Dale candela pa que prenda el party
Todos me miran JA cause’ i’m a hottie
Dale Go
Dale Flow
Dale QUEEN QUEEN GO
(x2)


Se agitan por tú buscartela
En el negocio siempre hay falsedad
Así que pártela dale pártela
Quieren la receta y no vamos a dársela! ¿QUIÉN?

La piscis con mari bece
Ufff dos tiburonas comiéndose a todos los peces
Apuntan dedos como jueces
Pero todos me siguen… como al mayoral siguen las reses

Su lenguaje no es mi dialecto Y Yo
Nunca tranzo con los insectos No
Se olvidan que esto es causa y efecto
¿Cómo le van a cerrar las puertas al arquitecto ?

Un shout out pa Quilmes
En todas sus esquinas
buena cerveza
Y la nena de Argentina
Sin contactos, desde abajo
Me educaron con la cultura del trabajo

Iooo, mano’ arriba las que son caballotas como yo
Dale movimiento
Bien entangado el pantalón, si nos vamos de misión
Peligro de incendio

Somo’ los que somo’
Estamo’ los que estamo’
Siempre pillo’ a cualquiera no le damos la mano
Quieren comprar mi gente con billetito
La fidelidad no la conocen en tu equipo

Mano’ arriba que llego la Mari
El conurbano está prendiendo el party
Vo’ sabe mami como dijo el Daddy
Dale go dale go sibiri go go go
(X2)

Maria, dejalos que se tiren
que nosotro hablamo con trama
hablamos con música

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POPULAR SONGS 2024, Top songs, billboard 100, new songs, best songs, trending, charts, love songs, lyrics, letra, lirik lagu, sarki sözleri, Hit Song
Twenty One Pilots' 2024 single, "Overcompensate," accompanied by its visually captivating music video, delves into themes of self-doubt, insecurity, and the struggle to find a sense of belonging. Through cryptic lyrics, an infectious melody, and a vibrant visual narrative, the song challenges societal expectations and encourages embracing one's individuality, even with its imperfections.

A Symphony of Uncertainty:

The song opens with a sense of restlessness and self-doubt. Lines like "Earned my stripes, 300 tracks in my Adidas" and "I feel like I was just here, same twitching in my eyes" showcase the protagonist's insecurity and struggle to define themselves beyond external validation. The juxtaposition of boasting about accomplishments ("300 tracks") with feelings of inadequacy ("twitching in my eyes") creates a sense of internal conflict, a common experience for many grappling with self-doubt.

The Mask of Confidence:

The pre-chorus, "Don't hesitate, maybe overcompensate," introduces a recurring theme: the tendency to overcompensate as a mask for insecurity. This theme is further emphasized in the music video, directed by Andrew Donoho. The use of vibrant colors, rapid cuts, and distorted visuals creates a sense of chaos and confusion, mirroring the protagonist's internal struggle.

Embracing the "Clancy" Within:

The chorus, "Where am I from? I was born right here, just now / Originated right in front of your eyes / If you can't see, I am Clancy, prodigal son, done running, come up with Josh Dun," introduces the concept of "Clancy." This symbolic figure represents the authentic self, hidden beneath societal expectations and insecurities. The lyrics suggest that true identity isn't found in external validation but rather in embracing one's unique quirks and flaws.

A Visually Striking Narrative:

The music video further explores the concept of "Clancy" by showcasing the protagonist's transformation. As the song progresses, the chaotic visuals give way to moments of self-acceptance, symbolized by the protagonist embracing their true self and shedding the mask of societal expectations. The recurring imagery of stripes, representing societal expectations, fades away, replaced by a sense of liberation and individuality.

A Call for Self-Acceptance:

"Overcompensate" serves as a call for self-acceptance and embracing one's individuality. The song encourages listeners to move beyond the need for external validation and societal pressures. By acknowledging the struggles with self-doubt and the tendency to overcompensate, Twenty One Pilots creates a relatable and encouraging message for anyone who has ever felt like they don't quite fit in.

More Than Just a Song:

"Overcompensate" transcends the boundaries of a typical pop song. It offers a nuanced exploration of self-doubt, the pressure to conform, and the journey towards self-acceptance. Through insightful lyrics, captivating visuals, and a unique sonic blend, Twenty One Pilots encourages listeners to embrace their "Clancy" and find their own unique place in the world.



LYRICS

Earned my stripes, 300 tracks in my Adidas track jacket,
Bless your ear holes while you react,
Acting gobsmacked don’t hesitate to maybe overcompensate,
I feel like I was just here, same twitching in my eyes,
Don’t sleep on a boy who can’t fall asleep twice,
In the same night and won’t hesitate to maybe overcompensate.

I fly by the dangerous bend symbol,
Don’t hesitate to maybe overcompensate,
And then by the time I catch in my peripheral,
Don’t hesitate to maybe overcompensate.

Where am I from? I was born right here, just now,
Originated right in front of your eyes,
If you can’t see, I am Clancy,
Prodigal son, done running, come up with Josh Dun,
Wanted dead or alive,
So now you pick who you serve,
You bow to the masses,
Get kicked to the curb,
For passing the classes,
Half empty, half full, save half for your taxes,
Then overtake your former self.

Days feel like a perfect length,
I don’t need them any longer,
but for goodness sake,
Do the years seem
way too short for my soul,
corazón.

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