Articles by "KHEA"
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The Latin trap scene heats up with the explosive new single "EL DON" (The Gift), featuring a powerhouse collaboration between KHEA, Bhavi, LIT Killah, and Asan. Released in March 2024, the song and its accompanying music video showcase the undeniable talent and infectious energy of these rising stars.

"EL DON" boasts a classic trap beat, complete with heavy bass, rhythmic hi-hats, and shimmering synths. The dark and atmospheric production sets the stage for the rappers' braggadocious verses. Each artist brings their own unique style to the table, showcasing their lyrical prowess and impressive flow.

KHEA, known for his smooth delivery and catchy hooks, lays down the foundation for the track. Bhavi follows with his signature gruff vocals and streetwise lyrics, adding an edge to the song. LIT Killah, a rising star on the scene, delivers his verses with undeniable charisma and technical skill. Asan, the newcomer to the group, holds his own with confident rhymes and a swagger that complements the other artists.

Thematically, "EL DON" is a celebration of success and living life on your own terms. The lyrics boast about luxury cars, designer clothing, and the spoils of their musical achievements. Lines like "Yo tengo el don, lo llevo en la sangre" (I have the gift, it's in my blood) and "Llegamos todos pa' quedarnos" (We all came here to stay) showcase the artists' confidence and their ambition to remain at the forefront of the Latin trap scene.

The music video for "EL DON" perfectly complements the song's braggadocious energy. Shot in a luxurious mansion, the video features the four rappers surrounded by beautiful women, stacks of cash, and expensive cars. Fast cuts and dynamic camera angles keep the video visually stimulating, mirroring the frenetic pace of the song.

Despite the focus on wealth and material possessions, there's a sense of camaraderie present in the video. The rappers are seen laughing, joking, and performing together, highlighting the genuine friendships that bind them. This sense of brotherhood adds a layer of authenticity to the video, making the artists even more relatable to viewers.

The choreography throughout the video is simple yet effective. Each rapper has their own signature moves, adding a touch of personality to their performances. The focus remains on the power of the lyrics and the undeniable energy of the artists themselves.

"EL DON" is a significant moment for Latin trap music. Bringing together four of the genre's most exciting talents, the song serves as a testament to the scene's global reach and undeniable influence. The catchy beat, combined with the rappers' impressive performances and the visually stunning video, is sure to become a fan favorite.

With "EL DON," KHEA, Bhavi, LIT Killah, and Asan solidify their positions as leading voices in Latin trap. The song is a powerful statement of their talent and ambition, leaving listeners wanting more from this dynamic collaboration. Whether they continue to release solo projects or team up for future tracks, these artists are sure to keep the Latin trap scene buzzing for years to come.

POPULAR SONGS 2024, Top songs, billboard 100, new songs, best songs, trending, charts, love songs, lyrics, letra, lirik lagu, sarki sözleri, Hit Song
Argentine trap icons Khea and C.R.O join forces with the rising star Neo Pistea for the electrifying anthem "100oMIL" (100 Million). Released alongside a captivating visualizer, the song is a celebration of success, hustle, and the unwavering pursuit of reaching the top.

"100oMIL" wastes no time establishing its braggadocious spirit. The opening bars explode with a heavy trap beat, punctuated by booming bass and pulsating synths. Khea takes the lead, his voice dripping with confidence as he raps about his relentless grind and the financial rewards that come with success. Lines like "Recorro su cuerpo, lo recorro entero" (I explore her body, I explore it all) and "Tengo un par de gatas malas / Que mueren por plata y fama" (I got a couple of bad girls / Who die for money and fame) showcase the braggadocio that is a staple of the trap genre.

The arrival of C.R.O adds another layer of swagger to the mix. His rapid-fire delivery complements Khea's style perfectly, creating a dynamic back-and-forth flow. Both rappers trade verses filled with boasts about their lavish lifestyles, expensive cars, and the adulation they receive. However, beneath the surface bravado, there's a hint of vulnerability.

Lines like "Y se siente como ah-ah ah-ah ah-ah" (And it feels like ah-ah ah-ah ah-ah) and "No lo puedo explicar" (I can't explain it) hint at the emotional roller coaster of success and the struggle to maintain authenticity amidst the trappings of fame.

The accompanying visualizer, directed by Estudiozmn, keeps the focus firmly on the lyrics. Bold white text against a stark black background displays the rappers' words, punctuated by occasional flashes of vibrant colors and abstract shapes. The visual simplicity allows the music and lyrics to take center stage, further emphasizing the song's message of relentless pursuit and unwavering self-belief.

The arrival of Neo Pistea in the second half of the song injects a dose of youthful energy. His verse boasts about overcoming challenges and making it big despite the odds. The line "El mejor de la new wave estamos haciendo cash all day" (The best of the new wave, we're making cash all day) perfectly encapsulates the aspirations of a new generation of artists aiming for the top.

"100oMIL" is a surefire hit for fans of Argentinian trap. It delivers everything they've come to expect from the genre – catchy beats, braggadocious lyrics, and a celebration of success. However, the underlying vulnerability and the inclusion of the rising star Neo Pistea hint at an evolution within the genre, acknowledging the emotional complexities of fame while paving the way for a new wave of artists. Whether you find yourself nodding along to the beat or analyzing the deeper themes, "100oMIL" is an undeniable anthem of ambition and the pursuit of a dream.



Letra:

Y con ella resolví el desorden
Tienes el maldito no sé que
Aunque a veces camino en el borde
Me sostiene antes de caer
Y se siente como
Ah- ah
Ah- ah
Ah- ah
Ah- ah
Ah- ah
Ah- ah
Ni yo lo puedo explicar
Ah- ah
Ah- ah
Ah- ah
Ah- ah
Ah- ah
Ah- ah

Yeah
Yeah, que vengan cien o mil, sin ella me muero
Yeah
Su amor me hace sentir mejor que el dinero
Yeah
Recorro su cuerpo, lo recorro entero
Y me dijo que la quiera cuando estaba en cero

Ye
Ya lo se baby yo soy un rockstar
Ni aterrice y ya tengo que despegar
Vivo de gira nunca te puedo llamar
Baby te doy buen sexo pero se que te hago mal

Tamos bien te escribí otro Mixtape
El mejor de la new wave estamos haciendo cash all day
Otro party otra escala
Tengo un par de gatas malas
Que mueren por plata y fama
Pero nadie se te compara mami
Que vengan cien o mil, sin ella me muero
Su amor me hace sentir mejor que el dinero
Recorro su cuerpo, lo recorro entero
Y me dijo que la quiera cuando estaba en cero

No se me acaba el amor por la bitch
La saca y se acaba, se pasa la bitch
Me saca en la mala es que me ama la bitch
Se saca en la cama una sata la bitch
1 kilo de zaza pa San Valentín
Siente por acá sentí mi serpentín
Ya van 3 y estamos para repetir
Quiere trapicheo te lo vende el team
Si somos impares, si somos iguales
Somos ideales
Par que no salen, que ya no salen, por ilegales
Di que no pare, di que me pare vamo a la pared bitch
Que el gato baile o para got talent si no le sale así

Baby no quiere los mile
No quiere no es mili
No quiere no es pili
Lo tiene lo baja
Lo sube lo baja
Yo soy como billy
Ladrón de la dity
Lo se

La llevo a merlo se queda
Le gusta los diling
Si quiere lo really
Yo le hago en la cara
Un makeup un peeling
Fumamos un phillie con miel
Y se siente como
Ah- ah
Ah- ah
Ah- ah
Ah- ah
Ah- ah
Ah- ah

Ni yo lo puedo explicar
Ah- ah
Ah- ah
Ah- ah
Ah- ah
Ah- ah
Ah- ah

Yeah

Yeah
Que vengan cien o mil, sin ella me muero
Yeah
Su amor me hace sentir mejor que el dinero
Yeah
Recorro su cuerpo, lo recorro entero
Y me dijo que la quiera cuando estaba en cero

(Y con ella resolví el desorden
Tienes el maldito no sé que
Aunque a veces camino en el borde
Me sostiene antes de caer)

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The 2024 single "TU Y YO" (meaning "You and Me") by Argentine rapper KHEA and Chilean singer Emilia isn't just a song; it's a sonic fiesta of Latin vibes, catchy melodies, and raw sensuality. The collaboration has taken the Latin music scene by storm, captivating audiences with its seductive lyrics, infectious rhythm, and visually stunning music video.

From the first sultry guitar notes, the song sets a mood of simmering desire. KHEA's characteristically smooth flow paints a picture of stolen glances and forbidden encounters: "Mirame los ojos que ya hablan por mi / En el club hay muchas pero solo te veo a ti / Ese beso prohibido que nos tiene así / Tu y yo en secreto, nadie lo sabrá, baby." ("Look at my eyes, they already speak for me / There are many in the club, but I only see you / That forbidden kiss that has us like this / You and I in secret, nobody will know, baby.")

Emilia's powerful vocals take over for the pre-chorus, adding a layer of yearning and emotional depth: "No puedo evitarlo, me acerco de a poco / Mi cuerpo te llama, no tiene control / Solo un segundo, déjame rozarte" ("I can't help it, I'm getting closer / My body calls for you, it has no control / Just a second, let me touch you"). This build-up leads to the explosive chorus, where both artists harmonize on the irresistible refrain: "Tú y yo, un secreto prohibido / Tu y yo, jugando con fuego / Solo una noche, nadie se dará cuenta / Tú y yo, hasta que salga el sol." ("You and me, a forbidden secret / You and me, playing with fire / Just one night, nobody will notice / You and me, until the sun comes out.")

The lyrics walk a tightrope between romantic desire and playful provocation, leaving the listener to interpret the nature of the "secret" relationship. This ambiguity, coupled with the song's catchy melody and rhythmic Latin beat, has fueled its popularity across various demographics.

The accompanying music video, directed by Nico Ovide, further amplifies the song's sensuality. Shot in a vibrant desert setting, the video features KHEA and Emilia performing amidst flickering flames and suggestive dancers. Their undeniable chemistry and fiery performances perfectly embody the song's message of passionate entanglement.

"TU Y YO" has received mixed reactions. Some praise its catchy melody and undeniable dancefloor appeal, while others criticize its suggestive lyrics and potential objectification of women. However, regardless of opinion, the song's success is undeniable. It has topped charts around the world, garnered millions of views on YouTube, and sparked lively discussions about sexuality, representation, and artistic expression in Latin music.

Beyond its immediate impact, "TU Y YO" signifies the continued dominance of Latin music globally. It showcases the power of collaboration between established artists from different countries, bringing together Argentine rap and Chilean pop to create a unique and commercially successful sound. The song also highlights the evolving themes in Latin music, where artists are increasingly pushing boundaries and exploring sexuality with more openness and confidence.

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Released in 2021, "Hola Perdida" by Argentinean rappers Luck Ra and Khea is a poignant and relatable ballad about the lingering pain of a lost love. The song's catchy melody and heartfelt lyrics have resonated with millions of listeners worldwide, making it a smash hit in Latin America and beyond.

A Tale of Two Voices

The song is structured as a dialogue between Luck Ra and Khea, each representing a different perspective on the relationship's demise. Luck Ra, the heartbroken ex-lover, opens the song with a desperate plea: "Hola, perdida. Soy yo, el ex amor de tu vida. Volví para volver a hacerte mía. Porque un amor así no se olvida" (Hello, lost one. It's me, the ex-lover of your life. I came back to make you mine again. Because a love like this can't be forgotten).

Khea, on the other hand, portrays the former partner as hesitant and conflicted. She sings: "Y yo te digo que no, que no quiero volver atrás. Que ya estoy bien, que ya te olvidé" (And I tell you no, I don't want to go back. I'm already fine, I've already forgotten you). However, her voice betrays a hint of longing, suggesting that she may not be as over the relationship as she claims.

A Universal Story of Loss and Hope

The beauty of "Hola Perdida" lies in its universality. The song's themes of lost love, lingering desire, and the struggle to move on resonate with anyone who has ever experienced a heartbreak. Whether you're the one begging for another chance or the one trying to push forward, the song offers a relatable and emotional journey.

A Blend of Genres and Styles

Musically, "Hola Perdida" is a blend of reggaeton, trap, and pop influences. The catchy beat and melodic hooks make the song instantly danceable, while the raw emotions in the lyrics add depth and complexity. The song also features a distinctive use of autotune, which gives it a futuristic and dreamlike quality.

A Visual Accompaniment

The song's music video further amplifies its emotional impact. The video features Luck Ra and Khea performing the song in a series of melancholic scenes, intercut with flashbacks of their lost relationship. The video's use of slow-motion and close-ups effectively captures the raw pain and longing in the lyrics.

A Lasting Legacy

"Hola Perdida" has become a cultural phenomenon in Latin America. The song has topped charts, garnered millions of views on YouTube, and been covered by countless artists. It has also inspired a social media trend, with fans sharing their own stories of lost love using the hashtag #HolaPerdida.

More Than Just a Song

"Hola Perdida" is more than just a catchy song; it's a powerful and relatable anthem for anyone who has ever loved and lost. The song's themes of heartbreak, hope, and the enduring power of memory resonate with listeners across generations and cultures. So, the next time you're feeling the sting of a lost love, put on "Hola Perdida" and let Luck Ra and Khea take you on an emotional journey that will leave you feeling understood and connected.



[Letra de "HOLA PERDIDA"]

[Intro: Luck Ra]
Hola perdida, este tema es para vos
Que no me llamás todavía
Y dice algo como esto

[Verso 1: Luck Ra]
Ya pasé más de un mes en la cama
Extrañándote a cada mañana
Y ya me están matando las ganas
De llamarte a ver si aún me amas
Díganle a ese tal orgullo
Que se cebó algo que no es suyo
Porque siempre fuiste para mí
Sola para mí, te quiero decir

[Coro: Luck Ra]
Hola, perdida
Soy yo, el examor de tu vida
Volví para volver a hacerte mía
Porque un amor así no sе olvida
Y hola, perdida
Soy yo, el examor dе tu vida
Volví para volver a hacerte mía
Porque un amor así no se olvida

[Verso 2: KHEA & Luck Ra]
Recuerdo los besos que nos dimos ayer
Y el momento en que nos conocimos, bebé
Esta noche pensándote, de tragos me pasé
Andabas perdida, pero ahora te encontré
Dando vueltas suelta por ahí
Tu boca dice que no, pero tus ojos sí
Baby, sácame ya de este frenesí
Que pa' estar contigo sé que yo nací (¡Eh!), yeah
Me enteré con él fue una crisis
Como Jhayco, para ti estoy easy, yeah
Aparecé, quiero verte, no te me hagas la difícil
Sé que me querés atender
Por más que tenga fama de llamar a mi ex

[Coro: KHEA & Luck Ra, Ambos]
¿Hola?
Hola, perdida
Soy yo, el examor de tu vida
Volví para volver a hacerte mía
Porque un amor así no se olvida (¡Y luego llegó a todos!), dice
Y hola, perdida
Soy yo, el examor de tu vida
Volví para volver a hacerte mía
Porque un amor así no se olvida
[Puente: KHEA & Luck Ra]
No, no
No se olvida, no, oh-oh
No se olvida no, oh-oh
L-U-C-K
Yeah
KHEA, yeah

[Coro: Luck Ra & KHEA, Ambos]
Hola, perdida
Soy yo, el examor de tu vida
Volví para volver a hacerte mía
Porque un amor así no se olvida

[Outro: Luck Ra & KHEA]
No se olvida, no
¡Muchas gracias!
Argentina está en la casa
Un fuerte aplauso para KHEA

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"Te Necesito" is a collaborative effort between KHEA and Maria Becerra, two prominent figures in the Latin urban music scene. Released in 2021, the song blends their unique styles, creating a captivating track that resonates with audiences across Latin America and beyond.

Musical Style: The song delves into reggaeton and trap influences, characterized by its pulsating beats, catchy hooks, and a captivating rhythm that invites listeners to dance. KHEA and Maria Becerra's vocal chemistry adds depth to the track, elevating its appeal.

Lyrics and Themes: "Te Necesito" revolves around themes of desire, longing, and the intense emotions tied to a passionate relationship. The lyrics depict a yearning for closeness and connection, reflecting the emotional highs and lows of a romantic bond.

Production and Arrangement: The song's production is marked by a fusion of contemporary urban beats and melodic elements. The arrangement cleverly balances KHEA's and Maria Becerra's vocals, creating a seamless flow that adds to the song's allure.

Audience Reception: "Te Necesito" received a positive reception from fans and critics, earning recognition for its infectious melody, compelling vocals, and the chemistry between KHEA and Maria Becerra. It resonated well with their fan bases, contributing to its success on various music charts.

Artistic Influence: Both KHEA and Maria Becerra have carved niches in the Latin music scene with their distinct styles. Their collaboration showcases their artistry, blending their talents to create a track that stands out in the genre.

Impact: The song made a mark in the Latin music landscape, becoming a popular choice for clubs, radio play, and streaming platforms. Its infectious rhythm and relatable themes made it a hit among audiences looking for catchy tunes.

Social Media and Fan Engagement: Both artists leveraged their social media presence to promote the song, engaging with fans and sharing behind-the-scenes glimpses of its creation. This direct interaction contributed to its success by building anticipation and excitement among their fan bases.

"Te Necesito" stands as a testament to KHEA and Maria Becerra's ability to craft a compelling collaboration that merges their individual styles seamlessly. With its infectious beats, heartfelt lyrics, and the charisma of both artists, the song continues to captivate audiences and solidifies their positions in the vibrant Latin music scene.

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"Wacha" by KHEA and DUKI is a compelling collaboration that merges Latin trap and urban music, offering an infectious rhythm accompanied by bold lyricism.

Musically, the song embodies the characteristic beats of Latin trap, infusing it with urban elements. The track employs a captivating melody intertwined with a dynamic and rhythmic flow that instantly draws the audience in. The fusion of trap beats with a touch of reggaeton creates an energetic and danceable vibe.

Lyrically, "Wacha" delves into themes of confidence, self-assurance, and the assertion of personal prowess. The lyrics revolve around the artists expressing their self-assuredness and asserting their dominance in the music industry. It conveys a sense of empowerment, encouraging listeners to embrace their individuality and stand tall in the face of challenges.

The production and arrangement of the song are meticulously crafted, incorporating intricate beats, seamless transitions, and a polished sound. The captivating rhythm, coupled with the dynamic vocal delivery of KHEA and DUKI, enhances the overall appeal of the track.

Audience reception for "Wacha" has been largely positive within the Latin music community. Fans appreciate the song's infectious energy, catchy rhythm, and the synergy between KHEA and DUKI's distinct styles. The track has garnered significant attention, especially among listeners fond of Latin trap and urban music.

Artistically, KHEA and DUKI bring their individual flair to the track, showcasing their unique vocal delivery and lyrical prowess. Their collaboration has proven to be a successful union of talents, elevating the song's appeal and contributing to its overall impact.

The impact of "Wacha" extends to its influence on the Latin music scene, adding to the genre's diverse repertoire. It reinforces the growing popularity of Latin trap and urban music, attracting a global audience and further solidifying the presence of these genres in the mainstream music landscape.

On social media platforms, the song has sparked engagement among fans who eagerly share their enthusiasm for the collaboration. Comments, likes, and shares on platforms like YouTube reflect the song's popularity and the resonance it has with its audience.

The music video for "Wacha" on YouTube complements the song's vibe, featuring vibrant visuals, dynamic choreography, and an aesthetic that aligns with the track's energetic rhythm and themes of confidence and empowerment.

In conclusion, "Wacha" stands as a vibrant and impactful collaboration that celebrates confidence and self-assurance. Its infectious rhythm, dynamic production, and the synergy between KHEA and DUKI have contributed to its success, making it a favorite among Latin trap enthusiasts and further solidifying its place in the contemporary Latin music landscape.

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Rusherking, Tiago PZK, KHEA, LIT Killah, Duki, Maria Becerra - ADEMAS DE MI REMIX (Official Video)

[KHEA & Rusherking]
Yeh-eh-eh-eh
This is the Big One
Baby girl, yo me convencí
Me obligué a seguir y a sentir que todo esto era mentira (Uuh)
Pero hay alguien más en este cuento (Ah-ah)
Me dejaste entre el cielo y el infierno (This is the remix)

[Rusherking & Tiago PZK]
Me convencí de que me amabas
Me mentiste, mami
Y como un tonto te esperaba
A que vuelvas a mí (Baby girl)

[Tiago PZK]
Eh, estoy acá afuera como un infeli’
Abajo de la lluvia, pero no querés abrir
Pensé que me quería, pero descubrí
Que ahora hay otro más además de mí

[Rusherking & Tiago PZK]
Ah, yeah, además de mí
Ah, yeah (Yeah), además de mí
Ah, yeah (Yeah), además de mí
Yeah, ah-ah-ah

[Lit Killah]
4 a.m. por la street
Caminando pa’ tu casa mojándome la’ Supreme
No sabía que esto era color gri’
Y al final sigue mintiéndome a la cara como siempre
Mujer, la última vez que te vi me lastimé, y me causaste dolor
Tú y yo, mi amor, ya no, ya no podemos estar junto’
Y sigo solo por la avenida, lo que pasamo’ no se me olvida
Voy sacándome la espina pero la’ marca’ son de por vida, no, girl
‘Toy al borde del vacío pero no quiero caer
Siento que estoy a punto de enloquecer

[Duki]
Brillamos como el necklace, eras mi best friend
No sé por qué miente’, yo soy el de siempre
Dímelo a la cara, bitch, no fui yo el que mentív ¿Quién da todo por ti? ¿Quién además de mí? (Y no)
Ya no pienso lastimar mi corazón
Menos por la culpa de tu desamor
Éramos vos y yo, ahora fuck Cupido
No soy estúpido, lo nuestro era único (Duko)
Girl, me sacaste las ganas (Ah, yah)
Sueño con no ver más tu cara
¿Cómo te hacé’ la que no pasó nada?
Te tomaste en serio el papel de mala

[María Becerra]
Contando y contando los trago’
Preguntándome dónde tú estaba’
Creyendo que en mí había algo malo
Cada noche me lo preguntaba
Ey, si fue mi error, si es que yo te dejé ir
Pero yo sé que lo hice todo por ti (Todo por ti)
Quizás mañana tú vuelva’ por aquí
Llorando, pidiendo por mí (Eh)
Oh, no, my love, no éramo’ solo nosotro’
Te di mi amor pero lo cambiaste por otro

[Tiago PZK]
Eh, estoy acá afuera como un infeli’
Abajo de la lluvia, pero no querés abrir
Pensé que me quería, pero descubrí
Que ahora hay otro más además de mí

[Rusherking & María Becerra, Tiago PZK]
Ah, yeah, además de mí
Ah, yeah (Yeah), además de mí
Ah, yeah (Yeah), además de mí
Yeah, ah-ah-ah

[KHEA]
Yo no te tenía así
Y ahora hay alguien más además de mí
Yo no te tenía así
Me dejaste morir, intentaste mentir
Me hiciste sufrir, quiero verte partir
¿Cómo pudiste partirme así el corazón?
Pero ocultarlo no te salió
Rompecorazone’, fallaste sin razón
Y ahora gano millones, por tu culpa un hitón, yeah
Miles de canciones en tu nombre, fuck love
Fuck, no má’, mi cora, yeah
Sufro en las noche’ queriendo sanar

[Rusherking & Tiago PZK]
Y cada ve’ má’ lonely, shorty
Mi ausencia te está matando
Así que don’t call me, sorry
No puedo fingir que te amo
Y anoche otra vez
Recordé, ma’, cómo él te besaba
Cómo duele que me mientas en la cara
Diciendo que no fue nada y que estabas enamorada (Nada)
Y no te importó si te amaba, ah
No, ma’, mi cora, yeah
Anestesiado, no siente dolor
Y ahora me llora
Sola pensando en lo que se perdió, woh

[Rusherking & María Becerra]
Me convencí de que me amabas
Me mentiste, mami
Y como un tonto te esperaba
A que vuelvas a mí (Baby girl)

[Lit Killah, Duki, KHEA & Tiago PZK]
Estoy acá afuera como un infeli’
Abajo de la lluvia, pero no querés abrir
Pensé que me quería, pero descubrí
Que ahora hay otro más además de mí

[Duki & Rusherking, Lit Killah & Rusherking, Tiago PZK & Rusherking]
Ah, yeah, además de mí
Ah, yeah (Yeah), además de mí
Ah, yeah (Yeah), además de mí
Yeah, ah-ah-ah